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Food

Massimo Bottura - Nourishing the soul

In the process of trying to recreate a food memory, chef Massimo Bottura started a movement that was designed to fight food waste, but has grown into a social triumph.

In the opening to his latest book, Bread is Gold, Italian chef Massimo Bottura tells the story of how every morning he would fight with his brothers for the leftover bread from the previous night’s dinner to dip in warm milk with a splash of coffee and a liberal pouring of sugar. It is one of his fondest memories, reminding him of delicious food, but also time with his family and his dearly departed mother.

A few years ago, he thought about recreating the recipe, and trying to recapture that glorious memory. It was the catalyst that evolved into a concept that evolved into social change. But more on that later.

In essence, taking old food memories and recreating them is what has made Massimo famous and seen him reach the very top of the chef world. For the last few years his restaurant, Osteria Francescana in Modena on the northern outskirts of Milan, has been ranked in the top three in the world, last year, No.1, this year just behind New York’s Eleven Madison.

A culinary renaissance

At Francescana, Massimo has taken Italian classics, memories and culinary ideas and transported them into the modern world. Combing his love of art and music with his culinary talent to create dishes titled Memories of a Mortadella Sandwich, The Crunchy Part of Lasagne, and his signature Five Ages of Parmigiano Reggiano. It’s been a culinary renaissance. Of course, messing with traditional Italian cooking created quite a stir in Italy and for that measure, it is understandable that he gained recognition internationally before he was eventually praised at home.

And while Massimo has explored plenty of Italian history for his dishes, he insists he still has a wealth of heritage for future culinary inspirations, for the rest of his life, at the very least.

“Maybe for 10 lives,” he says when chatting with Lyndey Milan at a special event organised by Italian coffee company Lavazza in Sydney earlier this year. “We have centuries of tradition that we can reinterpret and rediscover.

“For instance, last autumn we created this dish detailed by a philosopher from Rome, Petronius, in a book of his. Over three pages he described an amazing dish with a beautiful big bird filled with another bird, filled with another bird, and then many small birds and then dates and figs – for me, that’s Italy.

“So this is what I say to Italian chefs when they look for the next trend. Let’s be honest. Let’s go deep into our history and try to bring the best from the past into the future, not in a nostalgic way, but in a critical way.”

A chance to make a change

These days, Massimo is lauded for his ideas and for returning Italian cuisine to the top of the culinary world. He has used his time in the spotlight to full advantage.

During Expo 2015 in Milan, Massimo was invited to cook for dignitaries. Instead, he used the opportunity to make a statement about food waste.

His initial idea was to do a short-term pop-up at the city’s central train station and invite the world’s best chefs to cook leftover food for the homeless. But then, apparently, the Pope got involved. His holiness heard the chef’s idea, but thought it could be something done long term. Through the Catholic charity Caritas, an abandoned theatre in the poorest suburb of Milan was made available for Massimo’s ‘community kitchen’.

He took the opportunity. Not wanting it to be a regular soup kitchen, he recruited well-known artists and designers to help transform the venue into a warm, inviting space, a restaurant for those who most likely have never even seen inside a Michelin-starred venue. It was named, Refettorio Ambrosiano, a Refettorio being a place where monks and nuns would eat their daily meals.

“In a world where one third of the food we produce is thrown away, we need to ask ourselves: Could food wastage and hunger be an expression of the same problem? We believe so,” Massimo asks in Bread is Gold, a diary and collection of recipes from the Refettorio Ambrosiano project.

Over the following months, more than 65 chefs turned surplus ingredients collected from the exhibition’s pavilions into nutritious meals served to the homeless and people in need in the area. Names like Ferran Adria, Rene Redzepi, Ana Ros and Alain Ducasse used their creative powers to turn discarded food into delicious dishes.

“It was challenging and rewarding to be a chef in that kitchen. It brought out the best in everyone,” says Massimo. “And it’s important to show that chefs in 2017 are not just the sum of their recipes, we are much more than that. People need to know we are social agents and we can give to the people, to the world an example.”

Nourishing the soul

Following this initial success, Massimo and his wife, Lara established Food for Soul, a non-profit organisation dedicated to nourishing the underprivileged.

The Social Tables project in Bologna followed, then Refettorio Gastromotiva in Rio, converting surplus food from the Olympic Games into healthy meals. Refettorio Felix opened in London in June and there’s plans for projects in Berlin and the United States.

“Food for Soul is not a charity project but a cultural one. Sharing a meal is not just a source of nourishment, but a gesture of inclusion,” says Massimo. “In looking for solutions to fight food waste, we found a wider impact. We became aware that a good meal in a beautiful and welcoming environment can change a community.

“Will the role of chefs define the future of food? I am an optimist and I believe that we are already making positive change. A recipe, after all, is a solution to a problem. Choose to be part of the solution by cooking and sharing a meal around a table. It might be the most revolutionary thing you do all day.”

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Impress: Duncan Welgemoed
Words by Mark Hughes on 28 Jun 2018
On appearances, chef Duncan Welgemoed creates quite an impactful first impression. Broad shouldered, wild haired and inked up, he’s an imposing character. His profanity littered speech and blunt, heavy metal attitude amplify the offering. But one should never judge on first impressions. He’s a true gentleman, a loving husband and father of two, and an inspirational mentor in the kitchen. His tattoos are in fact replicas of famous artworks from the likes of Klimt, Cocteau and Giger. His ‘no holds barred’ style is the result of honesty, dedication and passion. Delicious flavoursome food, South Australia and a great restaurant top his agenda. A colourful journey Raised in the turbulent surrounds of Johannesburg and enduring a troubled childhood, Duncan escaped South Africa for London when he was 17. Mugged of his life savings at a Soho strip club, he fell into cooking as a way to survive. He’s never looked back. Le Manoir aux Quat’Saisons, Fat Duck and Restaurant Gordon Ramsay all appear on his resume. He followed his heart to Adelaide, fell in love with the place and the girl, married and stayed. He helmed French restaurant Bistro Dom for a few years before opening Africola in 2014. Likened to a raucous dop & chop food party, Africola has become the destination for dining in Adelaide. “It started off fairly authentically African,” says Duncan of the restaurant’s evolution. “As we worked through the style of what we wanted to become, it has actually grown to be very Australian, not in terms of using indigenous ingredients or anything, it’s just that we believe that Australia is a beautiful multicultural country and that is what it (Africola) has grown into. “I suppose the biggest thing is, we’ve always wanted to achieve the informality of a South Australian restaurant and today, Africola does just that.” Parochial passions At its heart, Africola is South Australia. Wild, untamed, abundant, exciting. And in his heart, Duncan admits he wouldn’t be the chef he is today if he had set up shop in another part of the world.  “I think the big thing with how Adelaide has transformed who I am as a chef started with the whole country bagging South Australia and Adelaide,” says Duncan. “Moving here and seeing this beautiful place with fresh eyes, I couldn’t understand why people in Sydney and Melbourne would treat Adelaide as Australia’s drunken uncle. It pissed me off. “I know Adelaide had its day in gastronomy in the late 80s/early 90s. They said that’s when it was at its peak, and now it’s having a resurgence. But I believe the food and culture have always been there, it just went underground – that’s where winemakers and chefs started working with artists and musicians to challenge the orthodoxy.” Delicious food circus Through Africola, Duncan delivers that challenge with fervour. Dishes such as Goolwa pipis in fermented chilli and garlic, and padron peppers with almond aioli and katsuobushi, blended with a rock music feel and vibrant surroundings have put Africola on the world dining map. Young chefs from around the globe come to learn its essence, while diners travel from all corners to bask in Africola’s aura. “Being a destination restaurant is kind of weird,” admits Duncan. “We were a community restaurant. We want to be there for the locals who eat there two, three times a week. But because of the hype, or whatever, the word spread that this is a really interesting restaurant that is value for money and is super fun. “It’s like a community driven food circus, entertaining the masses. That’s what we’ve always wanted to become. It doesn’t follow a certain restaurant orthodoxy. I believe orthodoxy belongs in religion, not gastronomy. “So giving the platform for myself and our staff to express ourselves as we only know how, and that is; loud music, delicious food, great booze and great service, is a testament to the great talent I have behind me.”
Two Blues Sauvignon Blanc 2014
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