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Life

Sharp Thinking

Queensland mechanical engineer Mark Henry had the professional chef in mind when, as a student,  he set about developing a range of knives that were supremely functional and of such quality that they could withstand the rigours of Australia's busiest restaurants. They became so popular with chefs, they are now sought by home cooks as well.

“I developed the knives for working pro chefs,” recalls Mark. “As a young student with no commercial experience, I had no idea about retail. I just wanted to redefine the working chef’s knife and eliminate all those traditional old weaknesses.

“Chefs really liked the Füri knives from the beginning, then they talked about them, wrote about them in their food columns, at their cooking schools. Soon, the department stores were getting so many enquiries from consumers that they wanted Füri too. The demand was such that Füri was an immediate success, and quickly became Australia’s #1 premium knife brand.”

The best metal for the best blade

Most professional knives are produced in Europe, but Mark wanted to design a knife range that totally re-shaped the category. His first idea was to use high carbon Japanese stainless steel, noted for its superior durability and ease of sharpening.  For the best combination of sharpness and toughness, Mark specified the blade be between the thick, strong European style and the sharp, light Japanese style.

“I was determined to use a type of high carbon stainless steel alloy that was more like the old carbon steel knives than the modern European knives,” says Mark. “Without the complex metallurgy, that means Füri knives have the ideal combination for working chefs of a blade material that holds its edge a long time, but is also easier to sharpen than the more common CrMoV alloys used in German knives, and most Japanese knives today. I would love to use full carbon steel, like the famous old French chef knives that take such a sharp edge so easily, but the corrosion would drive everyone mad these days, so it had to be also stain-resistant! Not an easy combination of features, but we achieved it.”

Seamless design

The next crucial element was in the seamless construction. The blade and the handle are one, so there is no place for food to get trapped, and no rivets or plastic parts to fail. So not only does it look stylish, it is the ultimate in food hygiene and durability.

“I thought it was a bit silly that after 800 years of chef knife making, in the ‘90s we still had the same riveted handles, sometimes still with the same type of wood ‘scales’, or plastic more recently,” says Mark.

“My chef friends and I all had knives with handles that had split wood, lots of gunk in the gaps, rivets missing, melted plastic, etc. I worked on a way to make the blade and handle into one seamless piece, while still keeping a hollow cavity in the handle for the correct balance.

“Nothing beats this construction for hygiene and durability, particularly when combined with our tough steel and strong blades.

The Iconic handle

What also raises Füri above its competitors is its innovative handle design. The iconic reverse wedge shape means the handle locks into the hand for a safer grip, which helps reduce hand fatigue, and reduces repetitive strain injuries.

“While I was still at university (QUT) studying my mech engineering degree, I put some research into the forces involved during the most repetitive and heavy cutting motions chefs use,” explains Mark.

“It became quickly evident, to me, that the traditional handle shape (basically the same for 800 years) was opposite to what it should be. The traditional taper which becomes narrower toward the handle actually encourages hand slip toward the blade. Then I realized why nobody cut themselves, even with wet/oily hands: the brain automatically compensates for any small slip by making the hand squeeze tighter on the handle to produce more friction and grip.

“That means fatigue for chefs  in the short term, and arthritis, carpal tunnel and other problems in the long term The Füri reverse-wedge handle actively reduces this slip by becoming thicker toward the blade, in the direction that counts, so that less hand squeeze is required for the same cutting work. This means less fatigue and less hand problems for chefs, or anyone with sore hands.”

Füri’s innovative design elements and materials result in knives of the utmost quality and are the reasons Füri is the knife of choice for chefs around the world. TV chef and restaurateur Kylie Kwong is a Füri brand ambassador, while Nigella Lawson is also a big fan.

Füri knives are ranged in all major department stores and independents around the country. For more information visit furiglobal.com

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Sydney Royal Wine Show in Review
We join Selector publisher and wine educator, Paul Diamond for a behind the scenes look at the recent 2017 KPMG Royal Sydney Wine Show and speak with some of the winning winemakers. In late July the Royal Agricultural Society released the results from the 2017 KPMG Sydney Royal Wine Show . Among the judges this year was Selector Magazine publisher and wine educator, Paul Diamond, who lent a hand assessing the wines as an associate judge. “My role was to assess brackets of wines as part of the overall classes that they were entered into. To establish which wines were worthy of medals and establish a hierarchy of the quality presented," Paul explains. We recently caught up with Paul and some of our favourite medal-winning winemakers to give us an insight into the show. Here is what we learnt: Chardonnay is on the rise
For Paul, one of the highlights of the show was the high quality of 2016 Chardonnays he judged. “I have not come across a class with such a high level of consistent quality and expressive examples,” he said. “It’s a great time to be a Chardonnay lover.” The standard of Chardonnay at the show was evident with the Best Small Producer wine going to Clonal Brothers,  Flametree Wines taking out the Trophy for the Best Wine Judged by the International Guest Judge, and Tyrrell’s Vineyards winning the Trophy for Best NSW Wine for their 2012 Vat 47 Chardonnay . Tyrrell’s had an excellent Sydney Royal Wine Show, with their Stevens Vineyard Hunter Valley Semillon 2011 taking out Trophies for Best Semillon and Best Mature White. That takes the total tally of awards won by that wine to 15 Gold medals and two Trophies.  Australian Sauvignon Blanc is creating its own style Many of the judges noted that Australian Sauvignon Blanc is moving away from trying to replicate the herbaceous NZ style, with the best wines at the show focusing on citrus fruits with finesse and drive. Miles From Nowhere  continued their stellar performance with their 2017 Sauvignon Blanc from Cowaramup securing two Trophies and a Gold. It can be tough being a wine show judge
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“It’s like a huge pat on the back,” says Dan. “So much hard work goes into my wines, starting in the vineyard and continuing all the way to bottling. Great wine show results fill you with confidence that you’re on the right track and that you're not insane for taking a chance on a new and exciting wine region."

- Dan Berrigan, Berrigan Wines
Congratulations to some of our favourite winemakers
All in all it was great to see so many wines and winemakers that we know and love here at Wine Selectors achieve the recognition they deserve with Gold Medals awarded to  Miles From Nowhere , De Bortoli , Tyrrells, Evans & Tate , Tulloch , d’Arenberg , Best’s, Andrew Thomas, Devil’s Corner, Bleasdale, Berrigan Wines and many more. A relative newcomer to Wine Selectors, Shingleback Wines, had a great wine show picking up the Best Value Red Trophy for their 2016 Red Knot Grenache Shiraz Mourvedre, plus three Golds. John Davey, the director of winemaking and viticulture at Shingleback, was thrilled, “Although we’re confident in the quality of our wines, and have achieved considerable acclaim over the years, the thrill of success at a wine show never diminishes and has an energising effect on the whole team,” he says. “I take great pride in my esteemed peers judging my children (my wines) worthy of merit.” To see the full results and all of the medal and Trophy winners visit the NSW RAS website.
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Screw Cap vs Cork - the Seal of Approval
Words by Dave Mavor on 5 Jun 2017
Tasting Panellist Dave Mavor tells why a crack wins over a pop when it comes to opening wine. Screwcap closures were first used in the Australian wine industry in the 1970s, but consumers at the time perceived these wines to be of lower quality, and the initiative soon fizzled out. The screwcap comeback came in the 2000 vintage when a number of  ClareValley  winemakers bottled some of their  Rieslings  under screwcap to prevent cork-related faults. The most common of these is cork 'taint', caused by a compound known as TCA, which was often present in cork bark. Before the proliferation of screw cap closures in Australia, the level of wines ruined by cork taint was 12-15%. To put this in perspective, for every two dozen you purchased, it was accepted that there would be at least two bottles affected. This relatively high occurrence of cork taint was due largely to cork suppliers providing Australia with (compared to Europe) second rate corks with a higher incidence of taint producing bacteria. Due to the airtight nature of screwcaps, the problem of premature oxidation was also eliminated, along with the 'flavourscalping' tendency of the porous cork material, and other potential flavour modifications. Another advantage now widely recognised by consumers is the convenience factor - screwcapped bottles are easy to open and re-seal!   SCREWING WITH TIME One of the criticisms of screwcaps, apart from the ridiculous (in my view) notion of missing the 'romance' of the sound of popping a cork, was that the seal was so good that wines would not mature with time, due to the absence of oxygen. However, there is normally a miniscule amount of dissolved oxygen within the wine itself when it is bottled, which will allow the wine to evolve, and each bottle will age at roughly the same rate, while retaining its freshness and vitality for much longer. With wines under cork, the maturation process is not only much faster, but each bottle will age at a different rate due to the variable consistency and therefore oxygen permeability of the corks. A recent innovation in screwcap technology has seen the development of closures that allow strictly controlled rates of oxygen transmission, giving winemakers the choice of differing maturation rates for different wine styles. I have now had the opportunity to taste wines that have been aging gracefully under screwcap for up to 15 years, including the same wine bottled under both cork and screwcap. I've even had the privilege of tasting wines from those early adopters in the 70's, which at the time were still going strong.   INTERNATIONAL EYE-OPENER To reinforce my beliefs, award-winning Australian wine writer Tyson Stelzer came up with some stunning results from a tasting at Italy's biggest wine show, Vinitaly, in March, 2015. Tyson presented five mature flagship Australian red wines under both cork and screwcap in a blind tasting. Some of Australia's most age-worthy and respected reds were presented, including the  Henschke  Hill of Grace Shiraz 2004. In a major surprise the panel of international wine professionals voted the screwcapped wines ahead of the corks. "The result was ground-breaking for Italy, where screwcaps remain controversial and until recently have been prohibited on the country's top wines," Tyson said. Even Venice sommelier Annie Martin-Stefannato admitted "we will have to change our mindset". So, given all the evidence for the superiority of screwcap closures, my personal preference will always be to hear a 'crack' rather than a 'pop' when I open a bottle of wine.      
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What's in a label?
Words by Mark Hughes on 19 Aug 2017
I recently had the privilege of watching the legendary Liverpool FC towel up Sydney FC in a soccer friendly in a private suite at ANZ Stadium courtesy of Claymore Wines . The Clare Valley winery is owned by Adelaide doctor Anura Nitchingham, who became a lifelong Liverpool fan while attending university in the northern England city back in the 80s. Since founding his own winery, he’s been able take his fandom to the next level with the Claymore Wines Liverpool FC range , hence the invite to the match. During the half-time break, with the Reds comfortably leading 3-0, I observed a young couple at the bar looking through the range of Claymore Wines on offer. “Can I try the Purple Rain Sauvignon Blanc …I just love Prince,” the young lass asked of the barmaid. “I’ll have the London Calling,” said he, seemingly unaware of the varietal. It’s a Cabernet Malbec blend, by the way, and a good one, having recently won Platinum  at the Decanter World Wine Awards. Besides football, Anura’s other great love is music. So instead of having wines like a ‘single vineyard Shiraz’, Claymore’s labels bear the name of some of Anura’s favourite songs and albums, such as the Dark Side of the Moon Shiraz, Joshua Tree Riesling and Voodoo Child Chardonnay. “I just wanted to have some fun,” Anura tells me when I ask him the reasoning behind the labels. “After all, wine is meant to be fun, right?” Marketing Wine to Millennials
While it does seem fun, Claymore’s labels seem to fly in the face of traditional wine marketing, where the producer’s logo is consistent across all their wines and information such as varietal, origin and vintage is first and foremost. “It was a struggle early on because the inconsistent branding was deemed anti-marketing,” admits Claymore’s general manager, Carissa Major. “But once we explained the story, we had a more personal conversation with the customer. Now, people come to our cellar door, pick up a Bittersweet Symphony (Cab Sav) and say, ‘this is from my generation, I get it’. The labels were never meant to be a gimmick, they are the sound track to Anura’s life. But marketing-wise today, they present exciting opportunities rather than barriers.” Recent studies from California State University help explain the marketing swing. Researchers looked at the fastest growing buyer market in wine – millennials – people born after 1980, so termed because they hit maturity at the turn of the millennium. This generation is cashed up, brand savvy and, most importantly, they are on the verge of overtaking baby boomers as the biggest buyers of wine. The university study found that millennials prefer wine labels that are brightly coloured, less traditional, more graphically focused and feature creative brand names. If you’re a wine producer listening to a baby boomer marketer, maybe it’s time to think outside the box. The story of Fowles Wine’s Ladies Who Shoot Their Lunch is a great example. The label shows an art deco-style image of a lady in her finery out for a hunt. “My wife designs the labels and we actually took advice from a leading marketer about whether this was a good idea. Their response? No!,” explains Fowles Wines owner, Matt Fowles. “We ultimately disagreed and released the wines, but it was useful advice in the sense that it was liberating. We thought, if there is no place in the market for this, then we should just do the designs we really love, so we did. It was all a bit of fun and, surprise, surprise, they sell well.” Art for art’s sake
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Two Blues Sauvignon Blanc 2014
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