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Wine

McGuigan’s Making History

As if winning International Winemaker of the Year three times isn’t special enough, McGuigan Wines has now made history by winning the title for the fourth time at the 2016 International Wine and Spirits Competition.

The winners are announced in London each November with the competition judging wines from more than 90 countries and 400 judges assessing entries over a seven-month period.

McGuigan Wines previously took out the International Winemaker of the Year title in 2009, 2011 and 2012 and this year was also awarded the Australian Producer of the Year title, again for the fourth time.

McGuigan Wines also claimed the trophies for Best Semillon and Best Shiraz with their 2003 Bin 9000 Hunter Valley Semillon and 2007 Handmade Barossa Valley Shiraz.

Other Australian Gold medal-winners at the show included Bird in Hand, Château Tanunda, Mount Pleasant, De Bortoli, Peter Lehmann and Thorn-Clarke.

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Wine
Meet Richard Freebairn of Paxton Wines
What was it that drew you to the wine industry? I grew up on a sheep and cereal grain farm in South East of Western Australia, and I enjoyed the outdoors and hands-on side of farming. However, I love the diversity of winemaking. You can be filling barrels or digging out a ferment one day, and the next hosting a five star dinner in Sydney. Always interesting and great challenges. You have worked in vineyards all over the country, including the Margaret River, Swan Valley, Sonoma Valley, Barossa Valley, Clare Valley . What is the best thing about working and living in McLaren Vale ? McLaren Vale has it all, I live in Adelaide with my wife and work in the most beautiful wine region five minutes from the ocean and 30 minutes (depending on how you drive) from the city. What’s your must-do for visitors to McLaren Vale? BYO picnic basket to our beautiful cellar door surrounded by 1850s stone cottages and rolling green lawns.
What have been some of your highlights of your time at Paxton? We have won some nice Trophies and received some great James Halliday scores, but I think it is teaching people about Organics and Biodynamics . It is a fantastic way of farming and can really make a big difference to the fruit and especially the wine. What’s the best piece of advice you’ve been given when it comes to winemaking? Be patient, wine is not a picture or a snapshot, it is like a movie – always evolving and moving with you. Be patient with wine and enjoy the ride! Do you have an all-time favourite wine to make? Why is it? I love making our Pinot Gris , because I don’t use carbon to remove the colour, I use hypoxygenation (basically oxidise it with oxygen). The wine looks so murky and brown all through ferment and stabilisation until one day, generally about three months after harvest, all the brown drops out and you are left with a bright, almost green, hue. It is such a relief! In 2011 Paxton became a fully certified organic and biodynamic wine producer. Can you tell us more about this certification, what it means, how it is achieved etc.? We are very proud to be Organic and Biodynamic at Paxton; it gives us a great sense of growing and making for the future. The vines look healthy and the wines have vitality. The certification process takes three years from the dates of application. From that point everything you do must be approved through your certifying body, we are certified through NASAA Certified Organics. The Paxton Organic MV Cabernet Sauvignon 2016 is our Wine of the Month for June – what makes this a standout wine? The beautiful aroma of winter greens, it is such a fragrant wine. I love smelling this Cabernet Sauvignon . The other great part is the palate, a perfect wine for the colder months. It has power and poise, bright fruit, as well as lovely tannins. A great wine with stews, soups and hearty winter dishes. What do you do to relax when you’re away from the winery? I play golf, not so relaxing, but it gets my head out of the winery. What’s your ultimate wine and food match? Paxton MV Cabernet Sauvignon, lamb loin chops (from our farm in Western Australia) mashed potato and peas. What is your favourite… Movie? The Lion King Book? Power of One Time of day? Any time of the day is a great time in McLaren Vale! Restaurant? Ruby Red Flamingo in North Adelaide.
Wine
Meet Ninth Island Winemaker Luke Whittle
To celebrate the Ninth Island Pinot Grigio 2016 from the Tamar Valley being the November Wine of the Month, we caught up with winemaker Luke Whittle to talk Tasmania, cool climate wines, and Pinot G . You are originally from New Zealand where you started your winemaking career, plus you’ve done vintages in Canada, Germany and Central Victoria –  what drew you to Tasmania? Ultimately, my passion to get back to cool climate wines, and Tasmania’s reputation for amazing wines and produce. I see a huge amount of potential for the Tasmanian wine industry as the region continues to produce world-class Sparkling and table wines and grow its reputation both domestically and abroad. I think the next decade will be a very exciting time for the industry here and I want to be a part of that future. What makes the Tamar Valley such a special region? The unique maritime climate, sheltered from the prevailing westerly winds resulting in consistency of ripening.  We’re situated on a beautiful big sweeping bend of the Tamar, which is not only an amazing place for grapes, but a beautiful setting for a vineyard with vine covered slopes rolling down to the water. It’s like a scene from an old-world region in Europe with a distinctly Tasmanian twist. Our Wine of the Month is the Ninth Island 2016 Pinot Grigio – what is it about cool climate wines that you like so much? In a word: elegance ­–  the way they are so fresh and expressive yet full of finesse. In our food and wine matching calendar, we’ve paired it with a quick chicken cassoulet with preserved lemon – what’s your choice of food partner? Coming from the coast of NZ, I’m really drawn to the amazing bounty of seafood here in Tasmania, and I love freediving. So combining those passions, I’d pair it with fresh barbeque crayfish and wasabi aioli, especially with the opening of the crayfish season just around the corner. What makes cool climate wines like Pinot G so food-friendly? The cool climate acidity lends itself to so many possibilities, especially when combined with the Pinot Grigios texture and delicate but expressive aromatics. What’s your favourite wine memory? The next one… Other than your own wine, what wine do you like to drink at home? I like to mix it up. Recently it’s been Riesling, especially some of the dryer style Rieslings out of Germany, something I fell in love with over my time working in the Mosel and the Pfalz. What are your three top recommendations for a first-time visitor to the area? Hit the incredible Tasmanian coastline! I’d suggest to go up to the top end of the east coast, where you’ll find no crowds, and amazingly beautiful beaches. The Tamar Valley Wine Route, which we are a part of – the perfect way to sample a number of delicious Tassie wines.   Head into Launceston to Stillwater Restaurant. The menu features Tasmanian produce and they’re known for an incredible wine list highlighting Tasmanian wine. What’s your favourite … Way to spend time off? In the ocean. Holiday destination? Whangamata, my hometown, for a dose of NZ summer. Wine and food match? Pinot and duck… it just needs to happen Sporting team? All Blacks (of course) Movie?   Anchorman – one of the classics
Life
Cellar Doors Italian style
Words by Alessandro Ragazzo on 20 Aug 2015
Like most producers in the world, Italian wineries are constantly looking at making better quality wine. In Italy in recent times, this search has become a study of the ‘fashion of form’ – uncovering the intricate concept of structure of wine to help conceive that perfect drop. This thinking has also extended to ‘Turismo Enogastronomico’ (food and wine tourism) with spectacular results. Old estates have been transformed by a collection of famous Italian architects, so that the cellar door and winery has become as much the centre of attraction as the wine. It is a union between tradition and modernity, a road map that directs guests and the curious to an unexpected and beguiling journey. These new concept wineries have been designed by architects and engineers in conjunction with Italy’s most famous contemporary sculptors, and using biodynamic principles so their designs are at one with their environment. Gone are the boring rusty tinned walls of decaying estates, ushering in is a new era of engineering that utilises the natural shape of the landscape as the centre of attraction. Buildings don’t just go up, they also flow out, around and even down inside the earth. Natural inspirations The choice of materials, most of the made from recycled or sustainable products, and the sensitivity for the surroundings have been critical elements in this architectural revolution. The most precious inspiration for Arnaldo Pomodoro, one of Italy’s greatest contemporary sculptors and designers, was a turtle, a symbol of longevity and stability. In this case, the shell of the turtle became the domed copper roof of the Tenuta Coltibuono di Bevagna , a winery in Umbria. Pomodoro had produced many sculptures in his time, but this was the first for the wine industry and the success of the project reverberated on an international scale and set the tone for the design wave to come in the Italian wine industry. Other wineries followed suit, embracing the art of the concept and seeing it as a way to reinvigorate tourism to the wine regions. Designers and architects Paolo Dellapiana and Francesco Bermond des Ambrois collaborated to conceptualise the Cascina Adelaide di Barolo in Cuneo, Piemonte. This amazing structure has been built into the hills, and from a distance it almost disappears into the countryside, perfectly camouflaged with the rest of the habitat – almost like a Hobbit house full of wine, if you will. Structure and form While many of the structures are dazzling from the outside, just as much thought and design has been applied to the internal workings. Everything from barrel halls to crushing rooms have transformed wineries’ inner workings into virtual exhibition halls. The new Antinori Cellar Door in the Chianti Classico area near Florence is a perfect example. Designed by Mario Casamonti it is a truly unique structure. With a surface area of 24,000m2, it took eight years to construct, with an investment of 40 million Euro. The structure is developed horizontally rather than vertically, with the winery hidden in the earth. The production facilities and storage are spread across three stunning levels. And the interior design is simply breathtaking with terracotta vaults to ensure perfect temperature and humidity levels.   The new world order Where Italy once had wineries they now have monuments. And while there are still plenty of the old style ‘casale’ with moulded walls and giant dirty barrels, the way forward is for large, clean, bright and spacious structures with areas dedicated to each individual phase of wine production.   This concept of wine and design seems to be resonating around the globe with architects working on amazing structures   from California to Chile, from Spain to France, from Alto Adige to Sicily, and even right here in Australia – think Chester Osborn’s big Rubik’s Cube plans for d’Arenberg in McLaren Vale. The future is now and it is an exciting time for those who appreciate design in architecture and in their wine glass.
Two Blues Sauvignon Blanc 2014
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