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Wine

Meet Chester Osborn from d’Arenberg

The Wine Selectors Wine of the Month for October is the d’Arenberg The Broken Fishplate Sauvignon Blanc 2014. So we caught up with its maker, the man of many shirts, Chester Osborn.

You’re a finalist in the Entrepreneur of the Year National Awards – how does that feel?

I feel quite honoured, however, at the end of the day I’m just doing what I love. It’s not work. If it’s worth doing it’s worth doing well.

Can you recall the first wine you tried?

It was probably a flagon wine when I was about four years old. I also remember that at around seven I tasted the so-called good reds and I didn’t like them. The fortified white Muscat was nice though.

When did you fall in love with wine?

At the age of seven I decided I wanted to be a winemaker, so I guess I was in love with wine even if I didn’t like much of it.

It’s a hard call but do you have a favourite wine or varietal?

I suppose it would be Nebbiolo from Piedmont. However, Grenache from McLaren Vale or Priorat are right up there.

How do you come up with your wine names?

It used to be never before 2am. Now it’s sitting on the toilet first thing in the morning reading the dictionary.

How has your dad d’Arry influenced you?

From time to time dad talks about how he used to do things, which puts his wines in perspective. Most of todays’ wines and the winemaking are the same as then but with more control. Dad was also frugal with money, which has been good in making me justify every expense. It has been a great working relationship. Often he worries, but what was planned more or less always occurs.

White, red or both?

At d’Arenberg we produce 72 wines from 37 grape varieties – all colours are accounted for.

What do you do when you’re not making wine?

Lately the d’Arenberg Cube has been taking up an enormous amount of time, especially the art installations but also all of the intricate architecture and engineering. Lots of wine tasting and drinking also fill my days and nights, and I have a heap of other projects on the go.

How many shirts do you really have?

We ran a competition recently asking exactly this question, it turned out to be 372.

What is your favourite….

Pizza topping: Salami with a bit of spice and other meats
Shirt: Robert Graham limited edition
Book: Science Illustrated or Cosmos
Movie/TV show: Science fiction
Restaurant: El Celler de Can Roca, Spain
Dinner: Fish amok
Time of day/night: all day, no preferences
Sporting team: Norwood football club. My great grandfather JR Osborn started d’Arenberg and the Norwood football club.
Christmas present: Art or sculpture
Childhood memory: Making things like planes and cars
Holiday destination: Spanish cities or French country villages
Angle to view the d’Arenberg Cube: Seaview Road

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Wine
The Story of Yalumba
Words by Paul Diamond on 15 May 2017
Cabernet and Grenache are two essential chapters in the story of Yalumba. Join us as we uncover the characters and the plot behind their creations with a dream vertical tasting in the Barossa As Australia’s oldest family wine brand, Yalumba has a rich history packed with incredible stories. And, like any family, the tales offer more about the individuals and their character than the brand itself. As time passes, these stories meld and form an identity that ultimately shapes the family’s place in the world. Yalumba is bursting with such yarns and if you visit its home, just outside Angaston in the  Barossa Valley , you will see mementoes of these moments, memories and people everywhere. As for the brand, ‘Yalumba’ is an Indigenous word that translates to ‘all the land around’ and is now connected to its home, the winery and cellar door just outside Angaston. This impressive structure, complete with clock tower, is made from Angaston marble and it stands as a five-generational, 168-year statement in winemaking vision and commitment. Interestingly, Yalumba’s story began not with wine, but beer, when brewer Samuel Smith came to South Australia in 1849. With the help of his son Sidney, Samuel set up shop and started planting vines on 30 acres on their land. Today, the Yalumba empire is considered a multi-regional, multi-layered, modern, family wine business that has plenty of products across a wide brand portfolio.  Most people will have a Yalumba taste or experience to call on if required, but what about the lesser known stories? Thankfully, a recent Yalumba tasting helped bring a couple of significant ones to light: its commitment to  Coonawarra  and its undertaking to  Grenache .    AN ODE TO SIR ROBERT Former Prime Minister, Sir Robert Menzies, who was well known for his love of Claret, once declared that a 1962 Yalumba Coonawarra was, “the greatest wine he had tasted.” Someone at Yalumba took note and in 1987 the first ‘The Menzies’ was born.  Today, The Menzies, under the custodial care of winemaker Natalie Cleghorn, is classic Coonawarra and represents the best of Yalumba’s Cabernet plantings on the magic terra rossa strip. The Menzies is a serious wine, built to last with elegant measures of everything – structure, complexity, balance and long term cellaring potential. From the current 2013 to the soon to be released 2014, all the way back to the original 1987 vintage, the bracket proved that this wine deserves its place in the Yalumba narrative.  Natalie, originally from the  Adelaide Hills , came to Yalumba to work in the lab and loves the frame that Cabernet offers to the winemaker’s palate. “To me, Coonawarra Cabernet is a building block; fruit and flavours are on top of the presence of its structure,” she explains. “When it comes to wine, it’s like looking at a beautiful building. It’s a hard thing to describe, but it’s about creating something that will live for a long time.” Structure is key when it comes to Coonawarra  Cabernet  and the impact of that factor in the life of a wine was not lost when we tasted the 1987 vintage of The Menzies. Fine and elegant with buckets of dusty violets, blackcurrants, cassis and chocolate flavours beguile the nose and palate, while the texture of this wine in the mouth is quite stunning.  HOLD THE OPULENCE Next up was  The Cigar , made from the same vineyards as The Menzies, but designed to be less opulent and therefore more of an approachable Coonawarra Cabernet statement.   The Cigar was first released in 2006, but has been steadily gaining popularity since. Now part of the ‘Distinguished Sites’ range, this wine shows controlled intensity and classic Cabernet flavours with satisfying, well-toned complexity and length. A standout was the 2013 for its dense blackcurrant and tobacco leaf aromatics balanced by a juicy palate of elegant black and red fruits. The not yet released 2014 shows plenty of elegant, feminine beauty and medium weighted potential, soon to become a new character in the Yalumba story.  A CHAPTER REBORN Grenache has been a blending partner with  Shiraz  and Mourvèdre for years, but only recently has the thick skinned, late ripening variety gained attention as a single expression.  Ironically, while it’s thought of as an alternative grape in Australia, Grenache was one of the first to be widely planted here and the Barossa has some of the country’s oldest vines. Yalumba has long recognised the important part this variety will play in its story and has entrusted it to senior red winemaker, Kevin Glastonbury.  Kevin has spent his working life in the Barossa and has been at Yalumba since 1999. Highly regarded and respected, he has a real soft spot for Grenache’s many vivid expressions and unique power to weight potential. Kevin has been on a Grenache crusade and all his wines are beautiful expressions of versatility, each with its own tale.  “One of my personal goals when I joined Yalumba was to bring focus onto Grenache, mainly because it’s my favourite single variety to work with,” Kevin describes. “Consumers are appreciating that Grenache isn’t just another big Barossa or  McLaren Vale  red wine. They are now wines of finesse and texture, with techniques like whole bunch fermentation playing a big role.  “At Yalumba, we have seen incredible growth with Grenache. When I started here 18 years ago, we had a couple of Grenache wines. Now we are making it in two Rosé styles, five single varietal wines, and one blended with Shiraz and Mataro. It is really fantastic to see how Grenache is being appreciated.” And with resources like the 820 gnarly, 128-year-old bush vines that Kevin has at his disposal for theTri-Centenary Grenache, it is easy to see why he is a happy Barossan. The Tri-Centenary line-up going back to 2005 was incredible. These wines are light, almost  Pinot Noir -like in weight, but all possess incredible depth and complexity. From the rustic, heady aromas and tart-ripe cherries of the 2005, to the exotic truffle and blackberry aromatics and rounded length of the 2011, these wines express a depth and intensity that is quite special.  WEIGHTY WONDERS Next bracket of wines were the Carriage Block Grenache planted in 1954 in the valley’s north towards Kalimna by local train driver at the time, Elmore Schulz. These wines showed a little more weight that the Tri-Centenary wines, but had wonderful layers of bright cherries, spices and raspberries. With all that ripe fruit you would expect some sweetness, but surprisingly, both wines had an attractive savoury finish. To finish up, we looked at the 2015 and 2016 Vine Vale wines, yet another expression of the Yalumba Grenache tale. These wines expressed a gamey, savoury complexity that was charming and again, exhibited bags of power and finesse, but in a light-weighted frame. As a variety that loves the warmth, Grenache can sometimes exude alcohol heat, but none of Kevin’s wines had fallen victim to this curse. Grenache is a wonderful old part of the Yalumba story that, through the support of the Hill-Smith family and the drive of Kevin, has become a new chapter. Similarly with Cabernet, Coonawarra and Natalie, we will start to see new stories emerge and find their as part of the bigger Yalumba picture.  If you haven’t formed your own Yalumba impression, you should take a closer look, the wines and the story are definitely worth it.  THE WINES OF THE TASTING Yalumba The Menzies Coonawarra Cabernet Sauvignon 1987, 1995, 2006, 2010, 2013, 2014  Yalumba The Cigar Coonawarra Cabernet Sauvignon 2006, 2010, 2013, 2014 Yalumba The Tri-Centenary Grenache 2005, 2011, 2012, 2015, 2016 Yalumba Carriage Block Grenache 2015, 2016 Yalumba Vine Vale Grenache 2015, 2016 RARE, FINE AND DISTINGUISHED YALUMBA WINES
Wine
Sydney Royal Wine Show in Review
We join Selector publisher and wine educator, Paul Diamond for a behind the scenes look at the recent 2017 KPMG Royal Sydney Wine Show and speak with some of the winning winemakers. In late July the Royal Agricultural Society released the results from the 2017 KPMG Sydney Royal Wine Show . Among the judges this year was Selector Magazine publisher and wine educator, Paul Diamond, who lent a hand assessing the wines as an associate judge. “My role was to assess brackets of wines as part of the overall classes that they were entered into. To establish which wines were worthy of medals and establish a hierarchy of the quality presented," Paul explains. We recently caught up with Paul and some of our favourite medal-winning winemakers to give us an insight into the show. Here is what we learnt: Chardonnay is on the rise
For Paul, one of the highlights of the show was the high quality of 2016 Chardonnays he judged. “I have not come across a class with such a high level of consistent quality and expressive examples,” he said. “It’s a great time to be a Chardonnay lover.” The standard of Chardonnay at the show was evident with the Best Small Producer wine going to Clonal Brothers,  Flametree Wines taking out the Trophy for the Best Wine Judged by the International Guest Judge, and Tyrrell’s Vineyards winning the Trophy for Best NSW Wine for their 2012 Vat 47 Chardonnay . Tyrrell’s had an excellent Sydney Royal Wine Show, with their Stevens Vineyard Hunter Valley Semillon 2011 taking out Trophies for Best Semillon and Best Mature White. That takes the total tally of awards won by that wine to 15 Gold medals and two Trophies.  Australian Sauvignon Blanc is creating its own style Many of the judges noted that Australian Sauvignon Blanc is moving away from trying to replicate the herbaceous NZ style, with the best wines at the show focusing on citrus fruits with finesse and drive. Miles From Nowhere  continued their stellar performance with their 2017 Sauvignon Blanc from Cowaramup securing two Trophies and a Gold. It can be tough being a wine show judge
While spending a day tasting and assessing wine may sound like heaven to many, it’s a gruelling process requiring a high level of focus and concentration.

“Some brackets can have upwards of 50 wines! You don’t want to miss anything or be unfair to a wine that someone has put their hard work, time and money into.”

- Paul Diamond, Associate Judge
Shiraz is still Australia’s most versatile wine As the country’s most widely planted variety, it was clear that despite vastly differing climates, Australian winemakers continue to adapt and create a variety of examples of Shiraz and Syrah that express their unique terroir. A swag of Gold medals were awarded to wines from across a broad range of regions throughout the country. One such example is the Gold medal-winning Berrigan Syrah 2015 from South Australia’s Limestone Coast sub regions of Mount Benson and Robe. For winemaker Dan Berrigan, this was great news.

“It’s like a huge pat on the back,” says Dan. “So much hard work goes into my wines, starting in the vineyard and continuing all the way to bottling. Great wine show results fill you with confidence that you’re on the right track and that you're not insane for taking a chance on a new and exciting wine region."

- Dan Berrigan, Berrigan Wines
Congratulations to some of our favourite winemakers
All in all it was great to see so many wines and winemakers that we know and love here at Wine Selectors achieve the recognition they deserve with Gold Medals awarded to  Miles From Nowhere , De Bortoli , Tyrrells, Evans & Tate , Tulloch , d’Arenberg , Best’s, Andrew Thomas, Devil’s Corner, Bleasdale, Berrigan Wines and many more. A relative newcomer to Wine Selectors, Shingleback Wines, had a great wine show picking up the Best Value Red Trophy for their 2016 Red Knot Grenache Shiraz Mourvedre, plus three Golds. John Davey, the director of winemaking and viticulture at Shingleback, was thrilled, “Although we’re confident in the quality of our wines, and have achieved considerable acclaim over the years, the thrill of success at a wine show never diminishes and has an energising effect on the whole team,” he says. “I take great pride in my esteemed peers judging my children (my wines) worthy of merit.” To see the full results and all of the medal and Trophy winners visit the NSW RAS website.
Wine
Under pressure - Wine VS Mine
Words by Max Allen on 21 Dec 2016
Winemaker Andrew Margan is standing on a rock on a ridge overlooking his vineyard at Broke, in NSW’s Hunter Valley . The landscape is idyllic: vine rows plunge down the hillside; Wollombi Brook curls through the middle distance; tree-covered ranges rise up steeply behind. He’s talking about how different this country could have looked had energy company AGL got its way. “If CSG (coal seam gas) mining had gone ahead here as AGL were planning,” says Margan, “there could have been 300 wells sunk between here and Pokolbin.” Just five years ago it seemed that CSG was a foregone conclusion in the Hunter wine region. A couple of exploratory wells had already been sunk, not far from Margan’s vineyard at Broke, and AGL were attempting to ingratiate themselves with the local winemakers - buying vineyards, sponsoring a local winemaking scholorship, joining the wine industry association. But the local winemakers were having none of it. They had serious concerns about the environmental impact of CSG mining. They worried that hydraulically fracturing - or “fracking” - deep coal seams to release the gas could contaminate the local aquifer and lead to geological instability. And they were outraged that, under then-current legislation, the miners would be able to drill among the vineyards and wineries of the country’s leading wine tourism destination. As fourth generation winemaker Bruce Tyrrell told me at the time: “It’s simple. If any of those bastards come onto the land my family have owned for 150 yrs I’ll bloody shoot ‘em. And I’m still a good shot.” Eventually, the vignerons’ well-organised protest campaigns - including a high-profile march on the NSW Parliament in 2012 - helped encourage the state government to declare the viticultural and equine industries in the Hunter off-limits to CSG mining: boundaries were drawn around these two newly-declared Critical Industry Clusters that prevented any further resource exploration. “We won,” says Andrew Margan. “But it was a hell of a fight.” “The CSG battle almost destroyed us,” admits Andrew’s wife Lisa Margan. “Having to take on such a big issue like that fractures the community, it pulls resources out of the community, it exhausts the community.” ----- The Hunter isn’t the only wine region to have tussled with unconventional gas mining in the last few years. Just before Christmas 2013, resource company Beach Energy sank its first exploratory shale gas well just south of Penola, the main town in the famous wine region of Coonawarra , in South Australia’s Limestone Coast. I visited the region during vintage 2014, a couple of months later, and witnessed that first rig being moved to a second exploratory site west of the main vineyard area. It’s only when you see one of these installations up close - or as close as security will allow - that you get a feel for how much the landscape is affected and what impact dozens or hundreds of such wells would have on the nature of a region: temporary roads carved through paddocks, the four-storey rig itself, the holding ponds dug into the earth to retain contaminated water, lights and sound running 24 hours a day, seven days a week. “I just can’t envisage co-existence with a gas well like that next to my cellar door,” said Dennis Vice of Highbank, one of Coonawarra’s leading wineries as we watched another truck loaded with drilling equipment roar by. “How can anyone argue that industrialized gas extraction can sit comfortably alongside wine - a brand that’s based on clean green production? Even if they do put a well in and I’m forced to sell, my vineyard would be worthless because of that rig. The implications for landowners are immense.” During the same visit, local vineyard manager Stuart Sharman, chair of the Limestone Coast Grape and Wine Council’s unconventional shale gas committee, detailed his deep concerns about shale gas extraction - a process that, like CSG mining, involves drilling down through the aquifer and using large amounts of local water in the process. “We don’t have a lot of confidence that the miners can give us an iron clad guarantee that well integrity will be maintained,” he said. “We know that the wells break down over time - their own documents show that. And (energy company) Santos has just been fined for contaminating the acquifer with uranium up in the Pilliga. If our vineyard irrigation water here becomes contaminated we can kiss goodbye to our sector of the economy: the Coonawarra brand and the whole district will be tarnished.” When I spoke to him again for this article, Sharman told me the pressure has eased. Not long after my visit during vintage in 2014, Beach Energy announced they had decided to concentrate on conventional gas extraction, and not in close proximity to the vineyards. The level of exploratory drilling I witnessed had “slowed right up”. But Sharman says it’s the slowdown in the energy market at the moment that’s contributed to the change of heart, not necessarily the very vocal opposition of the vignerons. “Depressed energy prices are slowing up further expectations,” he says. “It’s just not worth the miners’ while to go to the effort of unconventional gas extraction right now. But I think what we’re seeing is probably a lull, not the end. I imagine it could well ramp up again if the situation changes.” ----- It’s a similar story in the Hunter. Yes, says Andrew Margan, with the declaration of the Critical Industry Clusters, winegrowers have had a reprieve. And yes, AGL announced earlier this year that they were pulling out of CSG in NSW. But the state government hasn’t reversed its stand on CSG overall: the exploratory and mining licences haven’t been revoked. So if - when - the economic climate and the political balance shift, the pressure may build once more to start extracting precious hydrocarbons in the heart of wine country. And if that happens, says Stuart Sharman, there will always be a conflict between the short-term gain of the energy companies and the long-term sustainability of the winegrowers. “In the wine industry we’re busy spending millions of dollars redeveloping vineyards and setting ourselves up for another 50-plus years,” he says. “The mining guys are very publicly saying they’ll only be here for 20 years. But what’s it going to be like - what’s the impact not only to the physical environment but also the social environment - when they walk out in 20 years time and we’re still here.”
Two Blues Sauvignon Blanc 2014
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