Hand-selected wines from 500+
Australian wineries delivered to your door!
Hand-selected wines from 500+
Australian wineries delivered to your door!

Alert

The maximum quantity permitted for this item is , if you wish to purchase more please call 1300 303 307
Wine

The 10 Biggest Wine Myths

‘All wine gets better with age’, ‘The more expensive the wine, the better it tastes’, ‘The French invented Champagne’ – can you tell myth from fact? Discover the truth on the 10 biggest wine myths

 

Myth 1: All wine gets better with age

Fact: A lot of wine in Australia is made to drink within 12-18 months. There’s a real trend at the moment, especially with reds, for winemakers to craft young, fresh wines to drink immediately rather than to age. You can still find wines that are made to age for decades, with Hunter Valley Semillon and Australian Shiraz being great examples.  

 

Myth 2: Bottles of wine sealed with a cork are better than those with a screw-cap

Fact: In a perfect world, the perfect cork is the perfect closure, but in reality, perfect corks are extremely rare. Screw-caps eliminate many of the problems that can come with corks such as cork taint, oxidation and leakage and give the wine-lover confidence they’re getting quality and consistency. Find out more about corks vs screw caps here.

 

Myth 3: The more expensive the wine, the better it tastes

Fact: One of the joys of wine is that it comes down to personal taste. How much a wine sells for can indicate the quality of grapes and how expensive the winemaking process was. However, a lot of wine pricing is driven by economics and supply and demand, but this will never guarantee that a $500 bottle will taste five times better than a $100 one.

 

Myth 4: Blended wines are inferior

Fact: This myth has been driven by Australia’s insatiable thirst for single variety wines. However, one of the ironies of this is that some of Australia’s greatest wines ever made were blends. In fact, one of the most famous blended wines in the world is Champagne. Blended wines are a classic case of the end product being greater than the sum of its parts. 

 

Myth 5: The French invented Champagne

Fact: It is argued that English scientist and physician Christopher Merret invented Champagne in the 17th century when he added sugar to a finished wine to create a secondary fermentation.

 

Myth 6: Red wine with meat, white wine with fish

Fact: This is not a myth in that generally, the high tannins in red wine are a delicious complement for the fat in red meat, and the acidity in white wine gives brightness to a match of chicken or fish. However, it’s not a hard and fast rule. For example, you can pair red wine with fish; the secret is matching weight with weight. If salmon is poached, it will be silky, therefore a Rosé or Pinot Noir can work, while roasted salmon/ barra might pair well with a bolder red. Sauce is another factor, a creamy sauce screams for white wine, but a spicy red sauce or mustard sauce could work well with Sangiovese or even cool climate Shiraz!

 

Myth 7: A heavier bottle equals higher quality

Fact: Bottles with thicker glass are pricier because there is a higher investment in the packaging process, but it says nothing about the wine quality.

 

Myth 8: The correct serving temperature for red wine is “room temperature”

Fact: The ideal temperature to serve red wine is 14-18ºC. Serving it too cold will dull the aromas and ultimately the flavours in full-bodied red wine. Room temperature in Australia during the peak of summer may be anywhere from 25–35ºC, so don’t be afraid to pop your favourite red wine in the fridge for half an hour before your barbeque, unless, of course, it’s come from a temperature controlled environment. Learn more about how to store wine at home here.

 

Myth 9: An expensive decanter is the only way to decant wine

Fact: You can decant wine in any clean vessel such as a vase, a saucepan or a teapot. The process is simply to bring the wine into contact with oxygen to really bring out the aromas and flavours and help it to breathe. A stylish decanter obviously looks beautiful, though, and adds to the theatre of wine enjoyment. Learn more about how and when to use a wine decanter here.

 

Myth 10: If a wine smells and tastes like a particular fruit, it has been made with the addition of that fruit

Fact: The only fruit wine is made from is grapes. The other aromas and flavours you might detect are the result of aroma and flavour molecules that a grape shares in common with a particular fruit. For example, Cabernet grapes contain the same flavour molecules as blackcurrants, and Sauvignon Blanc has the same molecules as those found in green vegetables.

You might also like

Wine
Screw Cap vs Cork - the Seal of Approval
Words by Dave Mavor on 5 Jun 2017
Tasting Panellist Dave Mavor tells why a crack wins over a pop when it comes to opening wine. Screwcap closures were first used in the Australian wine industry in the 1970s, but consumers at the time perceived these wines to be of lower quality, and the initiative soon fizzled out. The screwcap comeback came in the 2000 vintage when a number of  ClareValley  winemakers bottled some of their  Rieslings  under screwcap to prevent cork-related faults. The most common of these is cork 'taint', caused by a compound known as TCA, which was often present in cork bark. Before the proliferation of screw cap closures in Australia, the level of wines ruined by cork taint was 12-15%. To put this in perspective, for every two dozen you purchased, it was accepted that there would be at least two bottles affected. This relatively high occurrence of cork taint was due largely to cork suppliers providing Australia with (compared to Europe) second rate corks with a higher incidence of taint producing bacteria. Due to the airtight nature of screwcaps, the problem of premature oxidation was also eliminated, along with the 'flavourscalping' tendency of the porous cork material, and other potential flavour modifications. Another advantage now widely recognised by consumers is the convenience factor - screwcapped bottles are easy to open and re-seal!   SCREWING WITH TIME One of the criticisms of screwcaps, apart from the ridiculous (in my view) notion of missing the 'romance' of the sound of popping a cork, was that the seal was so good that wines would not mature with time, due to the absence of oxygen. However, there is normally a miniscule amount of dissolved oxygen within the wine itself when it is bottled, which will allow the wine to evolve, and each bottle will age at roughly the same rate, while retaining its freshness and vitality for much longer. With wines under cork, the maturation process is not only much faster, but each bottle will age at a different rate due to the variable consistency and therefore oxygen permeability of the corks. A recent innovation in screwcap technology has seen the development of closures that allow strictly controlled rates of oxygen transmission, giving winemakers the choice of differing maturation rates for different wine styles. I have now had the opportunity to taste wines that have been aging gracefully under screwcap for up to 15 years, including the same wine bottled under both cork and screwcap. I've even had the privilege of tasting wines from those early adopters in the 70's, which at the time were still going strong.   INTERNATIONAL EYE-OPENER To reinforce my beliefs, award-winning Australian wine writer Tyson Stelzer came up with some stunning results from a tasting at Italy's biggest wine show, Vinitaly, in March, 2015. Tyson presented five mature flagship Australian red wines under both cork and screwcap in a blind tasting. Some of Australia's most age-worthy and respected reds were presented, including the  Henschke  Hill of Grace Shiraz 2004. In a major surprise the panel of international wine professionals voted the screwcapped wines ahead of the corks. "The result was ground-breaking for Italy, where screwcaps remain controversial and until recently have been prohibited on the country's top wines," Tyson said. Even Venice sommelier Annie Martin-Stefannato admitted "we will have to change our mindset". So, given all the evidence for the superiority of screwcap closures, my personal preference will always be to hear a 'crack' rather than a 'pop' when I open a bottle of wine.      
Wine
What's in a label?
Words by Mark Hughes on 19 Aug 2017
I recently had the privilege of watching the legendary Liverpool FC towel up Sydney FC in a soccer friendly in a private suite at ANZ Stadium courtesy of Claymore Wines . The Clare Valley winery is owned by Adelaide doctor Anura Nitchingham, who became a lifelong Liverpool fan while attending university in the northern England city back in the 80s. Since founding his own winery, he’s been able take his fandom to the next level with the Claymore Wines Liverpool FC range , hence the invite to the match. During the half-time break, with the Reds comfortably leading 3-0, I observed a young couple at the bar looking through the range of Claymore Wines on offer. “Can I try the Purple Rain Sauvignon Blanc …I just love Prince,” the young lass asked of the barmaid. “I’ll have the London Calling,” said he, seemingly unaware of the varietal. It’s a Cabernet Malbec blend, by the way, and a good one, having recently won Platinum  at the Decanter World Wine Awards. Besides football, Anura’s other great love is music. So instead of having wines like a ‘single vineyard Shiraz’, Claymore’s labels bear the name of some of Anura’s favourite songs and albums, such as the Dark Side of the Moon Shiraz, Joshua Tree Riesling and Voodoo Child Chardonnay. “I just wanted to have some fun,” Anura tells me when I ask him the reasoning behind the labels. “After all, wine is meant to be fun, right?” Marketing Wine to Millennials
While it does seem fun, Claymore’s labels seem to fly in the face of traditional wine marketing, where the producer’s logo is consistent across all their wines and information such as varietal, origin and vintage is first and foremost. “It was a struggle early on because the inconsistent branding was deemed anti-marketing,” admits Claymore’s general manager, Carissa Major. “But once we explained the story, we had a more personal conversation with the customer. Now, people come to our cellar door, pick up a Bittersweet Symphony (Cab Sav) and say, ‘this is from my generation, I get it’. The labels were never meant to be a gimmick, they are the sound track to Anura’s life. But marketing-wise today, they present exciting opportunities rather than barriers.” Recent studies from California State University help explain the marketing swing. Researchers looked at the fastest growing buyer market in wine – millennials – people born after 1980, so termed because they hit maturity at the turn of the millennium. This generation is cashed up, brand savvy and, most importantly, they are on the verge of overtaking baby boomers as the biggest buyers of wine. The university study found that millennials prefer wine labels that are brightly coloured, less traditional, more graphically focused and feature creative brand names. If you’re a wine producer listening to a baby boomer marketer, maybe it’s time to think outside the box. The story of Fowles Wine’s Ladies Who Shoot Their Lunch is a great example. The label shows an art deco-style image of a lady in her finery out for a hunt. “My wife designs the labels and we actually took advice from a leading marketer about whether this was a good idea. Their response? No!,” explains Fowles Wines owner, Matt Fowles. “We ultimately disagreed and released the wines, but it was useful advice in the sense that it was liberating. We thought, if there is no place in the market for this, then we should just do the designs we really love, so we did. It was all a bit of fun and, surprise, surprise, they sell well.” Art for art’s sake
Riverland producer Delinquente Wine Co. has taken label art in an even more contemporary direction channelling a punk ethos on their wines such as The Bullet Dodger Montepulciano and the Screaming Betty Vermentino. “The starting point with the artwork for Delinquente was to do something very different to traditional wine labels, but also to represent things we have a passion for, like street art and alternative culture,’ says winemaker/owner Con-Greg Grigoriou. “The art represents our ideas and allows us to connect with people in an interesting way. We all know a ‘Screaming Betty’, or would at least like to party with her. So they have taken on a life of their own.” Not everyone is a fan. Seventy-nine-year-old wine critic James Halliday described Delinquente Wines as setting “the new low water-mark” for labels in Australia. But he likes their wines. And that’s the thing, the wine has to be good to get the buyer to keep coming back. These days, wine is fashion and bottle shop aisles are the catwalks. Marketing a label is just as important as the wine inside the bottle. Get both right and you could just make it. Traditionalists will most likely continue to stock their cellars with family crested bottles. The millennials crave new and exciting. As for me, I’ll see you on the dark side of the moon.
Wine
Preserving the truth on sulphates in wine
Recently, one of our members, Penny Bamford, got in touch to ask about preservative 220, which you might have seen listed on the back label of bottle of wine. She wanted to know whether it can cause allergic reactions and whether it’s used in organic and biodynamic wine. Tasting Panellist Dave Mavor came to the rescue with an explanation. The main preservative used in wine is sulphur dioxide, which you’ll see on the label as ‘preservative 220’, ‘minimal sulphur dioxide added’ or ‘contains sulphites’. Sulphur dioxide is added in the winemaking process to protect the wine from oxidation and bacterial spoilage. I can tell you that the sulphur dioxide used in winemaking is less than many other products (e.g., dried fruits, some beer, meat, etc.) that we consume every day. It has been used as a preservative in wine since Roman times. And don’t be fooled into thinking that because preservatives aren’t listed on European wines that they’re not present, it’s just that they don’t have the same strict labelling laws as Australia. The amount of sulphur dioxide winemakers are allowed to add is strictly controlled to a limit of 250 milligrams per litre. With such low levels it is unlikely to cause any health issues, however, some people feel they are quite sensitive to it. If that is you, here are some tips: There tends to be higher levels of sulphur dioxide added to white wines as they are more susceptible to oxidation, whereas the tannins in red wines act as a natural preservative. If you have symptoms from drinking red wine, it’s more likely to be from the histamines. Age also affects the sulphur dioxide levels in a wine, as it dissipates over time, so if you’re sensitive to sulphur dioxide, go for older wines. There is less sulphur dioxide used in organic and biodynamic wines. Certification allows 50 per cent of what can be used under conventional standards. Preservative-free wines don’t have sulphur dioxide added, however, it can also be a natural product of fermentation and is therefore often present even if it hasn’t been deliberately added. Also, without added preservatives, the wine will be very susceptible to spoilage by oxidation, so it needs to be consumed straightaway – which is not a bad thing. You might have noticed the recent emergence of products that claim to remove the sulphur dioxide from your wine. Dave explains that these are simply made up of diluted hydrogen peroxide. While this is a chemical sometimes used in the winery when too much sulphur has been accidently added to a wine, it’s extremely controlled by winemakers with a thorough understanding of the chemical process. Remember that if you add too much hydrogen peroxide to a wine it will go off and you will have spoilt all the winemaker’s hard work!
Two Blues Sauvignon Blanc 2014
1 case has been added to your cart.
Cart total: xxx
1 case, 12 bottles, 3 accessories