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Wine

Credaro | Wine of the Season

History

The Credaros from Northern Italy settled in Margaret River in 1922, making them regional pioneers. Having made wine from their family vineyard for years, they became commercially involved in the wine industry in the 1980s. Today, the family manages 140 hectares of vines over seven separate vineyards across Margaret River, in the regions of Wilyabrup, Carbunup, Treeton, Yallingup and Wallcliffe. The Credaros produce all of their own wines in their 1200-tonne winery in Northern Margaret River.

Tasting Notes

Their Kinship Chardonnay presents a fragrant bouquet of white flowers, nectarine and pear with underlying cashew and citrus notes. Medium-full bodied with stone fruit, fresh citrus and creamy biscuit characters from lees influence, it has an elegant, refined structure and finishes with fine mineral acidity.

The 2016 Vintage

Higher than average rain late in winter was followed by more in early spring, increasing soil moisture. October was unseasonably warm, and combined with the increased soil moisture caused slightly higher than normal vine growth. The long, mild growing period favoured earlier ripening varieties. Overall, the cooler vintage has resulted in Chardonnay being a standout, with extraordinary flavour depth and length at lower Baume levels.

+ Food

With its wonderful complexity, Chardonnay is sumptuous with flavoursome white meats – try chicken tagine with almonds and preserved lemon.  

 

2715 Caves Road, Yallingup, WA

credarowines.com.au

08 9756 6520 

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Rosé revealed – how is it made?
The time is ripe for Rosé – spring afternoons and evenings are perfect for relishing the refreshing, savoury characters of fabulous Australian drops. But, as you sit back and sip its deliciousness, do you ever wonder exactly how Rosé is made? Up until a few years ago, Australian winemakers made Rosé as an afterthought, says Tasting Panellist Adam Walls . “Whereas now, the wines are being made deliberately, with designated parcels of fruit that have been picked specifically to be turned into Rosé.”  As Hunter Valley winemaker Mike De Iuliis explains, “There are two distinct keys to making quality Rosé. First is the variety that is being used, and second is timing of harvest.” There are many different styles of wine and as Mike describes, “Rosé is quite a personalised wine and at De Iuliis, we are looking to produce a style that is bright, fresh and vibrant. We also try to produce a drier, more savoury style that is built around texture and acidity rather than sugar and fruit.”  So, how is Rosé made? The Maceration Method Just like red wine, Rosés pick up their colour from the skin of red wine grapes. The winemaker can determine the depth of colour in the wine by deciding how long to leave the juice in contact with the skins, typically anywhere from 2 to 24 hours – the shorter the time, the lighter the colour. The amount of time a winemaker leaves the juice in contact with the skins, Hunter Valley winemaker Mike De Iuliis explains: 

“It depends on the variety you're using. With our special release Rosé, which is made from Grenache, the fruit is harvested by machine and then transported to the Hunter Valley (from the Hilltops). This time on skin is about long enough (approx. 8-12 hours), to pick up the colour that we like and also the flavour profile that we are looking for.”

- Mike De Iuliis, De Iuliis Wines - Hunter Valley
There are different techniques used for this process, including the maceration method, which allows the crushed skins of the red wine grapes to ‘steep’, or macerate, in the juice for a short period of time, before the skins are removed and the entire tank is finished into a Rosé wine.  The Saignée Method Another method is called the Saignée (‘san-yay’), or the ‘bleed’ method. This involves ‘bleeding off’ a portion of the juice – while the remaining goes on to make red wine – into a separate vat to finish fermentation. This technique can result in some really lovely examples. Saignée expert Andrew Margan is a strong proponant of this style:

When making rose using this method we soak the unfermented grape juice on its skins for about 48 hours and allow the juice to soak some colour and flavour out of the skins before we run just 10 % of that juice off into another tank and add yeast to ferment it like a white wine. Cold fermentation ensures that the fruit flavours and aromas are conserved in the finished wine.The key is to make sure you drain off the juice at the right time. Because we have much softer tannins here in the Hunter and we obtain ripeness of flavour at lower alcohols we can make a saignee style rose that does not require any residual sugar and has enough richness of flavour without being too high in alcohol to make a dry rich Rosé

- Andrew Margan, Margan Wines
Blending: Another way to make Rosé is by mixing white and red wine together, although, this rather crude method is generally frowned upon and doesn’t usually make for a very nice tasting wine.  Colour and Characters: The colour of Rosé can range from the lightest shades of pale onion skin pink to salmon, coral, hot pink, and ruby red; generally speaking, the darker the colour, the more intense and sweeter the wine. Primary fragrances and flavours of Rosé depend on the type of grape, or grapes, used, but will typically sit along the spectrum of red fruits and florals, melons and zesty citrus. Sometimes, you’ll find pleasant green characters, like rhubarb or strawberries with their leafy green tops still on.  What varieties are used to make Rosé?
Rosé can be made from just about any red wine grape variety there is. In Australia, the more common varietals used to make Rosé include  Shiraz ,  Pinot Noir , and Grenache . But also,  Merlot  and  Cabernet Sauvignon . In Provence, the historical home of Rosé, winemakers will blend grape varieties, such as Cinsault, Mourvédre, Syrah (Shiraz), and Carignan, to create gorgeous examples of this pale pink wine. Now you know how it’s made, it’s time to drink to Rosé’s pink perfection and fill your spring with some delicious drops.  
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Better than Burgundy?
Words by Mark Hughes on 2 Jul 2015
Thank you, Bill Downie, I now respect Australian Pinot . Bill said something to me about Pinot Noir that triggered an understanding and ultimately made me want to seek out a great Australian Pinot and savour its every drop. I am hoping by the time you’ve finished this article, you’ll feel the same way. As winemakers go, Bill is a bit of a legend in the Pinot world, but an anomaly in the wine universe. You see, he only makes Pinot. That’s it. His entire focus is Pinot Noir. He is an unashamed Pinotphile. Bill admits he has always been enraptured by Pinot’s romantic charm, but he really fell in love with the varietal when he was sent by his then employers, De Bortoli , to spend some time in Burgundy learning about Pinot. Five vintages later his love had become a marriage, a blessed union between a winemaker and a grape. He came back all smitten and doe-eyed and intent on making great Australian Pinot. Victoria is where he focused his attention, and in addition to his own vineyard in Gippsland, Bill now makes Pinot from vineyards in the Yarra Valley and the Mornington Peninsula . As Bill, Jeremy Dineen from Josef Chromy Wines and I were getting ready to sip, swirl and spit our way through a bunch Pinot Noirs, Bill was regaling me with his adventures in Burgundy and he said something that resonated deep within my wine scribe soul, as well as my tastebuds. “My time in Burgundy taught me to have a true and meaningful respect for the place you are in, wherever that might be,” he said, before nonchalantly adding, “Before I went to Burgundy I was in Australia trying to make wine that tasted like Red Burgundy. But after I had been there I no longer wanted to do that, I wanted to come home and make wine that tasted like the place I was, be it Gippsland, the Yarra or Mornington Peninsula". All of a Suddent it Made Sense When I first entered into this wonderful world of wine, I had bought into all the hype and hoopla about how amazing this Pinot Noir varietal was. But I had tasted enough bad home-grown Pinot that it had sullied my respect for the varietal, and as I had explored more with Old World wines, the Australian Pinots I consumed seemed too big and boisterous compared to the elegant Red Burgundy I’d savoured. But Bill’s words had made me see the error of my ways. I had tasted Aussie Pinot wanting it to be the best of Burgundy, when I should have been rating it for what it was – Australian Pinot. Bill explained to me that we would never make a Pinot Noir that tasted exactly like Red Burgundy; however with the right ingredients we can make top quality Pinot that is uniquely Australian and far more expressive. So what are those magical ingredients needed to make great Pinot Noir? The most important are climate, site and vineyard management, not to mention the gentle caress of the knowledgeable winemaker. Climate Pinot Noir prefers cool conditions but not those with a major temperature drop at night. It simply detests the heat so it seems pointless to grow Pinot anywhere that is warm, such as places like the Hunter or Barossa. Maybe as a component of sparkling wine, or as a Rosé, yes. But even if you are the world’s best winemaker, don’t try to make a straight-out Pinot Noir in a warm region. You just can’t do it. Many have tried and failed. Even the revered wine critic and Burgundian lover, James Halliday, toiled fruitlessly to make Pinot in the Hunter. Perfect cool climate environments for Pinot exist in Australia in just a few regions, notably in Victoria’s Yarra Valley with its cool, crisp slopes and average humidity, and the Mornington Peninsula with its maritime cooling nights. But perhaps the region that is causing the most excitement is Tasmania . The Apple Isle is already earning a reputation as a producer of world-class Sparkling wine, so Pinot Noir, a key component of Champagne, along with its Burgundian sister Chardonnay, has been planted here for some time. It makes up half of all the vines in Tasmania and 95 per cent of red wine. More recently, straight Pinot is starting to find its feet here. Jeremy Dineen, who is also regarded as a maker of great Pinot after 10 years working with it at Josef Chromy in Northern Tasmania, says that climate is key to attaining the elegance for which great Pinot is renowned. “You are talking about a wine that has very fine tannins, where texture is one of the most important things, so if you can get a balance of ripe but fine tannins and fresh natural acidity, with those bright fruit flavours, it is the perfect Pinot and that is only going to come in the cooler climates,” he says. “If you look at the flavours you can only get that same perfume, subtleties, complexities and balance of natural acidity from cool climates and that is a really important part of Pinot.”
Two Blues Sauvignon Blanc 2014
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