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Better than Burgundy?

Thank you, Bill Downie, I now respect Australian Pinot. Bill said something to me about Pinot Noir that triggered an understanding and ultimately made me want to seek out a great Australian Pinot and savour its every drop. I am hoping by the time you’ve finished this article, you’ll feel the same way.

As winemakers go, Bill is a bit of a legend in the Pinot world, but an anomaly in the wine universe. You see, he only makes Pinot. That’s it. His entire focus is Pinot Noir. He is an unashamed Pinotphile. Bill admits he has always been enraptured by Pinot’s romantic charm, but he really fell in love with the varietal when he was sent by his then employers, De Bortoli, to spend some time in Burgundy learning about Pinot.

Five vintages later his love had become a marriage, a blessed union between a winemaker and a grape. He came back all smitten and doe-eyed and intent on making great Australian Pinot. Victoria is where he focused his attention, and in addition to his own vineyard in Gippsland, Bill now makes Pinot from vineyards in the Yarra Valley and the Mornington Peninsula.

As Bill, Jeremy Dineen from Josef Chromy Wines and I were getting ready to sip, swirl and spit our way through a bunch Pinot Noirs, Bill was regaling me with his adventures in Burgundy and he said something that resonated deep within my wine scribe soul, as well as my tastebuds.

“My time in Burgundy taught me to have a true and meaningful respect for the place you are in, wherever that might be,” he said, before nonchalantly adding, “Before I went to Burgundy I was in Australia trying to make wine that tasted like Red Burgundy. But after I had been there I no longer wanted to do that, I wanted to come home and make wine that tasted like the place I was, be it Gippsland, the Yarra or Mornington Peninsula".

All of a Suddent it Made Sense

When I first entered into this wonderful world of wine, I had bought into all the hype and hoopla about how amazing this Pinot Noir varietal was. But I had tasted enough bad home-grown Pinot that it had sullied my respect for the varietal, and as I had explored more with Old World wines, the Australian Pinots I consumed seemed too big and boisterous compared to the elegant Red Burgundy I’d savoured.

But Bill’s words had made me see the error of my ways. I had tasted Aussie Pinot wanting it to be the best of Burgundy, when I should have been rating it for what it was – Australian Pinot.

Bill explained to me that we would never make a Pinot Noir that tasted exactly like Red Burgundy; however with the right ingredients we can make top quality Pinot that is uniquely Australian and far more expressive. So what are those magical ingredients needed to make great Pinot Noir? The most important are climate, site and vineyard management, not to mention the gentle caress of the knowledgeable winemaker.

Climate

Pinot Noir prefers cool conditions but not those with a major temperature drop at night. It simply detests the heat so it seems pointless to grow Pinot anywhere that is warm, such as places like the Hunter or Barossa. Maybe as a component of sparkling wine, or as a Rosé, yes. But even if you are the world’s best winemaker, don’t try to make a straight-out Pinot Noir in a warm region. You just can’t do it. Many have tried and failed. Even the revered wine critic and Burgundian lover, James Halliday, toiled fruitlessly to make Pinot in the Hunter.

Perfect cool climate environments for Pinot exist in Australia in just a few regions, notably in Victoria’s Yarra Valley with its cool, crisp slopes and average humidity, and the Mornington Peninsula with its maritime cooling nights. But perhaps the region that is causing the most excitement is Tasmania.

The Apple Isle is already earning a reputation as a producer of world-class Sparkling wine, so Pinot Noir, a key component of Champagne, along with its Burgundian sister Chardonnay, has been planted here for some time. It makes up half of all the vines in Tasmania and 95 per cent of red wine. More recently, straight Pinot is starting to find its feet here.

Jeremy Dineen, who is also regarded as a maker of great Pinot after 10 years working with it at Josef Chromy in Northern Tasmania, says that climate is key to attaining the elegance for which great Pinot is renowned.

“You are talking about a wine that has very fine tannins, where texture is one of the most important things, so if you can get a balance of ripe but fine tannins and fresh natural acidity, with those bright fruit flavours, it is the perfect Pinot and that is only going to come in the cooler climates,” he says.

“If you look at the flavours you can only get that same perfume, subtleties, complexities and balance of natural acidity from cool climates and that is a really important part of Pinot.”

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Be cool. Cool climate Shiraz
Words by Mark Hughes on 12 Aug 2015
My father-in-law, Neville, is your typical knock-about Aussie bloke. A former brickie, he used to drive his Holden Kingswood ute to work and cruise the weekends in his white Torana LJ Sedan. He loves fishing, hunting and knocking back a couple of Tooheys New while charring some animal flesh on the barbecue. But since his retirement a few years ago things have changed. He mostly spends his time drawing the jack rather than mixing the mortar, he has a flashy new Korean-built SUV to tow his caravan and he’s pretty much swapped the beers for red wine. When he started drinking vino his preferred drop was the big fruit-driven reds from South Australia: juicy, plummy, peppery and pretty big on the alcohol – perfect for his medium rare steak and snags. Recently though, his palate seems to have matured and he asked me for a red with more elegance. I gave him a gorgeous Yarra Valley Pinot , but it wasn’t for him. “Tastes a bit posh,” he said. “A bit too watery.” Maybe I had aimed a bit high. What really caught his attention was a medium-bodied Shiraz from the Canberra Distric t. “Now this is pretty good,” he said, while putting on his glasses to read the label – always a positive sign. I didn’t get to have any more of that wine after he had poured another one for himself and his wife, and my wife, and one more for himself. Now, I’ve never really thought of Nev as a trend-setter. He’s happiest in t-shirt, shorts and those sandals with Velcro tabs, but apparently when it comes to Shiraz, he’s in fashion! Neville is part of a shift in the drinking public that is looking for more restraint and elegance in Australia’s most iconic red wine. If the drinking public was thinking it, the critics confirmed it when in 2009, the judges at the Royal Melbourne Wine Show awarded the Jimmy Watson Trophy for the best young red wine in the country to a wine from the Canberra District: the Eden Road Wines ‘Long Road’ Hilltops Shiraz 2008. It made the wine world sit up and take notice. Just to confirm this trend, this year’s Jimmy Watson winner was the Glaetzer-Dixon Mon Pere Shiraz 2010 from Tasmania. A Shiraz from Tasmania? It was unfathomable. The Jimmy Watson is an award that has almost exclusively gone to the Barossa or McLaren Vale or maybe the Hunter, but not the Canberra District and certainly not Tasmania! Apparently it is not just a trend that is happening here in Australia. At the 2011 International Wine Challenge in London, Adelaide Hills winery Bird in Hand was awarded the trophy for the Best Australian Red Wine and the Best Australian Shiraz. What is cool? The common thread between all these award-winning wines is that they come from cool climate regions. There was something here that definitely needed investigating, so we thought we should do a State of Play tasting on cool climate Shiraz. First of all we had to define what a cool climate is as it is a phrase that is bandied about with almost gay abandon with little regard for the official meaning. Perhaps the strongest definition comes from the International Cool Climate Wine Show. This annual event began in the Mornington Peninsula and has been running since the year 2000, so it has some pedigree. It defines cool climate wines as: Wines made from grapes grown either: south of latitude 37.5 degrees south, or north of latitude 37.5 degrees north or from a property in the Southern or Northern hemisphere which has an average January/July (whichever is applicable) temperature below 19ºCelsius, as confirmed by the nearest Bureau of Meterology site, or vineyard site above 800m in altitude. Therefore Australian wine regions that automatically qualify as cool climate are: Tasmania, the Yarra Valley, Mornington Peninsula, and Western Australia’s Great Southern region. Then there are a few grey areas. According to these criteria, the Adelaide Hills does not qualify as cool climate. Its elevation and latitude are well off and its average temperature in January is 19.1. However, most would agree that it is cool climate, and for the sake of point one of a degree, one must admit that this really does qualify as cool climate. Likewise the Canberra region and Orange in New South Wales should also be considered cool climate. There are some vineyards in these regions above 800 metres, but their average January temperature is around the 20 degree mark. But I challenge anyone to stand out in a vineyard on the slopes of Mount Canobolas in the middle of winter and dispute whether it is a cool climate. Therefore some of the parameters, especially in Australia, still need to be defined. A recent cool climate wine show in Tasmania had the elevations at 500 metres, which seems more logical and perhaps we need to look at a combination of average temperatures across the whole year. However the upshot is: regions where Australian Shiraz has an outstanding pedigree, i.e., Barossa, McLaren Vale and the Hunter Valley, are not cool climate regions. All that jazz It is perhaps the amazing success of Shiraz from these warmer regions that has hampered the progress of cool climate Shiraz. Winemakers in cool climates convinced themselves it would be pointless to pursue Shiraz as the Barossa, McLaren Vale and Hunter were already delivering outstanding wines custom-made for the tastes of the drinking public. Scott McCarthy, winemaker at Helen’s Hill in the Yarra Valley, echoed these sentiments when he joined our Tasting Panel for this tasting, but added that things have changed. “In the past, for us, the focus has been on Pinot and Chardonnay and looking for the best places to plant those,” he said. “Shiraz has always been there as a good workhorse to produce good wines, but no-one has really given it the same attention as they have some of the other varieties. “But now we are looking at clones and root stocks and looking at actually planting it in the best part of the vineyard, not just the part that is left over from Pinot and Chardonnay.” Scott is well credentialed to be the spokesperson for cool climate winemakers. He grew up in a vineyard and spent his first 10 years as a winemaker in the Barossa before experiencing vintages in the Napa and France (Loire Valley and Languedoc). During a four-vintage stint in Marlborough, New Zealand, Scott fell in love with cool climate winemaking and he continued that affair by settling back in Australia in the Yarra, where he makes Pinot Noir, Chardonnay and Shiraz. While winemakers like Scott are convinced of the future of cool climate Shiraz, critics have traditionally been sceptical. The purveying perception of Shiraz from these regions was of a wine that was green, stalky and under-ripe. That may have been somewhat true a decade ago, but as Scott explains, a better understanding of Shiraz in the vineyard, and in the winery, has allowed cool climate Shiraz to be far more expressive. “My experience in the Yarra is that Shiraz is one variety that is made in the vineyard and probably the biggest decision that has to be made that influences the outcome of the wine is the day that you pick it. “I believe there is only a day or two between really getting out of that green phase and when it is starting to get over-ripe. You have to work with the vineyards and taste the fruit over a period of time to know how each block is going to react, how quickly they ripen and when is the best time to pick each block,” Scott says, while also stressing the attention to detail that must be given to micro-climates, even in the same vineyard. “Instead of testing the whole vineyard as one block of Shiraz we have isolated different aspects. We know the cool, low-lying areas are going to ripen a little bit later and we make sure that we test them independently." “You used to go out and pick your whole vineyard. Now it is literally one side of the hill to the other and we are talking a distance of just 50 metres and we will pick a week, two weeks later in some cases, just because the aspects are quite different. “We want to get it through that green spectrum – so we are looking for that tomato leaf character to go out of the juice and to get a ripe spectrum with those nice blueberry characters.” The tasting The Panel sat down to 40-odd wines from across a dozen cool climate regions. The results were outstanding. Nearly all the wines medalled and the overall scoring was very high. Importantly, the tasting confirmed that these wines had busted the perception of having ‘green and stalky characters’. The key descriptors that came forth were of punchy red fruits and blueberry flavours, some spiciness and pepperiness as well as minerality and earthiness. Furthermore there was a noticeable shift to a more graceful style of Shiraz. While most were medium-bodied, some were full-bodied and fruit-driven, but with an elegant core, great balance and an alcohol content of around 14 per cent. “Some of the traditional descriptors you look for in Shiraz – those big ripe plummy characters, strong tannins and big vanillin oak – they were not in the wines we looked at today,” commented Scott. “We were using descriptors like oyster shell, cassis and minerality; descriptors that lend themselves to be able to match to food.” Wine Selectors Tasting Panelist Christian Gaffey was equally impressed with the elegance displayed across these wines in the tasting. “There was one wine today that was described as ‘Burgundy-like’, which for Shiraz is somewhat unheard of,” he said. “Not that Burgundy is the be all and end all, but for it to be compared to a wine of finesse like a Pinot Noir versus your classic 15 per cent Shiraz, means a lot, especially if you want to match it to food.” Regionality and diversity The top 20 scoring wines contained a great spread of wines from different regions. Five were from the Yarra, four from Adelaide Hills, three each from the Canberra District and Mornington Peninsula, two from West Australia’s Great Southern region, one each from Great Western, the Grampians and Tasmania. Within those wines there was an amazing diversity. While wines from certain regions had similar benchmark characters, each wine had its own life and there were amazing differences between wines from the same region, from vineyards within a stone’s throw from each other. “It really is a celebration of the differences you can get with cool climate Shiraz,” remarked Scott. “I think the biggest thing with cool climate Shiraz is the ability to show the terroir – the sense of place with the wines, which you don’t always see in some of the warmer climates.” Combined with a sense of grace and elegance, it is this diversity in the wines that suggests that cool climate Shiraz is a great food-matching wine. The Shiraz from the Yarra versus Mornington and Pyrenees are all very different so they should lend themselves to a greater variety of food than classic Aussie Shiraz matched with steak. Aging potential and the future Perhaps the most surprising result to come out of this tasting was the superb natural acid balance these wines displayed. This acid lends itself to the minerality character displayed in these wines and, more importantly, suggests superb aging potential. This was confirmed by the fact that towards the end of the tasting the Panel was giving very high marks to all the wines that had a bit of age to them. If that is any indication of what is going to happen over time, then in 10 years time we are going to have some sensational back stocks of cool climate Shiraz. Furthermore, the wine that had the most acid was from Tasmania, which suggests the cooler the climate, the better. “Tassie is going to be a tough place to grow Shiraz consistently,” remarked Christian. “But we have known through the years that sometimes it is the inconsistent places that produce the best wines in the good years.” Finally, as cool climate Shiraz is a fairly recent endeavour, most of the wines are from vines with an average age of 15 years or younger. We know that generally the older Shiraz vines get, the better the fruit they produce. These vines are still in their teenage years, so as they mature we can expect to see some world-beating examples of cool climate Australian Shiraz. I can hear Neville firing up the barbie now. Check out  Wine Selectors great range of Shiraz today .
Wine
Will the real Pinot G please stand up
Words by Mark Hughes on 30 May 2016
Pinot Grigio and Pinto Gris are two of our most popualr white wines. Are they the same? What is the difference? Which do we prefer? Is it all to do with fashion and marketing? We held a Wine Selectors Members' Tasting to answer these questions and more. About four years ago, Selector ran a State of Play tasting on Pinot Gris/Grigio where the Wine Selectors Tasting Panel reviewed over 60 of the best Pinot Gris/Grigio in the country. Apart from collating a great list of the top scoring wines, what we hypothesised at the end of this tasting was the fact that Australia may in fact produce a wine that is not strictly Pinot Gris and not strictly Pinot Grigio, but instead, a gorgeous white that we labelled as ‘Pinot G’. To explain this further, we have to go back, (it sounds counter-intuitive, but stick with me, as it is a bit of a ‘grey’ area). If you didn’t get that joke, here’s the explanation – Grigio and Gris both mean ‘grey’, but in different languages because Pinot Grigio and Pinot Gris are the same grape, just grown and celebrated in different areas of Europe. Grigio, as the name suggests, is the Italian version, grown predominantly in the regions of Fruili, Veneto and Alto Adige. It is generally picked early and produces a fresh, zesty style with some savoury characters. Gris is the French style, cultivated mainly in the region of Alsace. Its general characteristics are of a rich, full-bodied wine with plump stone fruit flavours and some spice. Popular means ‘plant it’ Although Pinot G has been planted in Australia since about 1980, it has only been in the last decade or so that it has really become popular. And when I say popular – it is immense – five fold since 2006. When this happens, every winemaker and his dog chuck in a few vines in an attempt to earn some dollars at their cellar door. And why not, that’s business. But, one of the problems is that Grigio gets made in a region that might be better suited to Gris, Gris gets made in a region perhaps more ideal for Grigio, and both get made in regions that are perhaps not suited to either. Furthermore, because the name ‘Grigio’ sounds a bit trendier at the moment, the marketing folk insist on putting Pinot Grigio on the label, even when the style of wine is really that of a Pinot Gris. The end result is that it is all very confusing for the consumer. All we want is a nice white wine! The Members rally
To help in this battle to better understand the wines we drink, we asked three Wine Selectors Members (and a guest of a Member) to come into Wine Selectors to join the Panel and taste their way through 16 Pinot Grigio/Gris, handpicked from noted producers across the country.   Long-term members Jeffrey Roberts, Julie Hughes (yes, my wife), and Josh Doolan (plus his guest Linda Thomas) sat down with Wine Selectors T asting Panellists Trent Mannell and Adam Walls , and Selector publisher Paul Diamond for an afternoon of fun and informative vinous examination. Before we even poured a glass, a quick   Q&A confirmed what we had surmised – that the general drinker found it difficult to delineate between an Australian Pinot Grigio and Pinot Gris, and that most consumed Grigio more often than Gris, except for Julie, who came into the tasting not really a fan of either style, but admitting she had only tried a few. The wines of the Pinot Gris/Grigio tasting Bracket 1 – Pinot Grigio David Hook 2015 Adina Vineyard 2015 Primo Estate Joseph d’Elena 2015 Tomich T Woodside Vineyard 2015 Norfolk Rise 2015 Bracket 2 – Pinot Grigio Devil’s Corner 2015 Ninth Island 2015 Sam Miranda 2015 Brown Brothers 18 Eighty Nine 2015 Gapsted Valley Selection 2014 Bracket 3 – Pinot Gris Eden Road The Long Road 2015 Austins Wines Six Foot Six 2015 Natasha Mooney La Bise 2015 Pipers Brook 2014 Coombe Farm 2014 Lisa McGuigan Platinum Collection 2013 The Grigio brackets
The range of styles of these wines was on show from the first Grigio bracket. Jeffrey, Josh and Linda were all taken with the plush fruit and savoury aspects of the David Hook Pinot Grigio 2015 from the Hunter Valley , while the Panel felt the Tomich T Woodside Vineyard Pinot Grigio 2015 (Adelaide Hills) and the Norfolk Rise Pinot Grigio 2015 ( Mount Benson ) had more of those Grigio varietal characters: crisp, bright pear and Granny Smith apple flavour with savoury notes and a umami-like persistence. When anyone gets the chance to taste 16 wines in a row opposite some of the best palates in the business, they embark on a real education. Apart from learning about the subtleties of wine, what our Members discover, as do all our guests who come in for these tastings, is that they actually do have quite a discerning palate. They know what they like, and what they don’t, but the main difference is the ability to describe and catalogue all the vinous information. But once they have some understanding of what to look for in the wine, the varietal characteristics, and the differences in styles, they quickly display some real wine tasting nous. This new skill set was on show with the second bracket of Pinot Grigio, as the scores of the Members and Panel started to align. Sourced from cooler climates than the first bracket, these Grigio were tighter and more acidic. Jeffery, Josh and Linda were all taken with the Devil’s Corner Pinot Grigio 2015 (Tamar Valley), which was described as having excellent balance between the juicy fruit and fine acid frame, while the Sam Miranda Pinot Grigio 2015 ( Alpine / King Valley ) also appealed with its bright, ripe fruit and restrained persistence. However, Julie stuck to her pre-tasting mantra and was non-plussed by either of the Grigio brackets, finding it hard to get past a taste she described as ‘bitter’. The Gris The Gris bracket showed the differences in style between Grigio and Gris. While there was the characteristic pear and green apple fruit, the Gris had a fuller texture and almost creamy mouthfeel. Julie came to the party giving great scores to the Austins Six Foot Six Pinot Gris 2015, which she described as dense, layered and soft, as well as the Coombe Farm Pinot Gris 2014 ( Yarra ) and the Lisa McGuigan Pinot Gris 2013, which found favour with luscious soft acid and juicy savouriness. The end result The fact that there were 10 Grigio and six Gris in the tasting is reflective of the popularity of the styles in Australia. Grigio is more trendy, sells better and pairs well with summery dishes such as seafood and mezze plates, while Gris has a more acquired taste, matching well with richer, creamier recipes. However, the big thing to come from this tasting was the development of winemaking techniques that show that noted producers, at least, are making Grigio and Gris more in line with their European counterparts. Perhaps, we can now drop the ‘Pinot G’ label and confidently use Grigio and Gris. Try these wines yourself and see if you agree.  
Two Blues Sauvignon Blanc 2014
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