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Know Your Variety - Australian Malbec

Neglected for decades in France as a lesser blending grape, Malbec was resurrected and championed in Argentina as an excellent single varietal wine. It's now having a similar resurgence in Australia, with some excellent Australian Malbec wines appearing in the Clare ValleyLanghorne CreekMargaret River and Great Southern. To help us learn more about this plush and fruit driven red wine, we reached out to a few Australian Malbec experts with winemakers from Forest Hill WinesBremerton and Tamburlaine Organic Wines.

AUSTRALIAN MALBEC AT A GLANCE

Australian Malbec Wine Infographic Guide

THE VARIED ORIGINS OF MALBEC

Malbec (sometimes known as Côt and Auxxerois) originates from the French wine regions of Bordeaux and Sud-Ouest. However, it was historically viewed as more a blending grape and played second fiddle to the prized Cabernet Sauvignon, Merlot and Grenache vines in those regions.

Malbec found its new home in Argentina, where it has been adapted and refined into an excellent single varietal wine style, with excellent examples from the Mendoza region. Today, 75% of the world's Malbec now hails from Argentina, often blended with a touch of Touriga Nacional.

MALBEC COMES TO AUSTRALIA

Rebecca Willson, winemaker at Bremerton Wines, argues that Malbec has a spiritual home in South Australia as it "was the first dry red variety ever planted in Langhorne Creek by The Potts Family of Bleasdale in the late 1800s". In fact, Bleasdale's first ever single varietal wine was a Malbec in 1961. However, the great red vine cull in the 1970s and 1980s removed many alternate varieties from vineyards across the country.

The recent trend of wine lovers searching for new and exciting wine styles to try, has given rise to a modern resurgence. Malbec is now the wine of the moment. Rebecca thinks this is because "the variety offers an alternative to Shiraz as our biggest consumed red varietal, it's berry driven and plush."

Malbec can be a difficult grape to grow, but today with better viticulture and better strains of the variety, it's thriving in moderate climates such as the Clare Valley, Langhorne Creek, Margaret River and Great Southern. Tamburlaine Organic Wines chief winemaker, Mark Davidson, notes that "just like in Argentina, the real lesson has been that the wine produced at higher altitudes of 800m to 1000m has really shone". As such, there is great promise for award winning Malbec from emerging cool climate regions such as Canberra or Orange, where Tamburlaine's excellent Malbec is sourced.

TASTING NOTES

With a similar weight to ShirazCabernet Sauvignon or Petit Verdot, Malbec has a big, juicy and plush flavour with a robust structure and moderately firm tannins. It has distinctive dark purple colour and notes of red plum, blueberry, vanilla, cocoa and an essence of sweet tobacco.

Forest Hill Wines chief winemaker, Liam Carmody, is rather fond of the "intense purple colour and fruit brightness" of their Malbec and notes that it has a "generally softer tannin structure than some other red grape varieties." For Bremerton's Rebecca Willson it's the "violet, currant purple fruits with velvety tannins, plushness and purity" of the variety.

MALBEC AND FOOD PAIRING

The bold flavours, robust structure and higher tannins of Malbec call for dishes with a bold flavour to match such as hard cheese, steak or even sausage such as this chickpea and chorizo hotpot recipe by Miguel Maestre. Our Argentinian beef steak with chimichurri sauce recipe is also a great way to round out an Argentinian themed dinner. Or for a vegetarian option, our spinach and cheese empanadas recipe matches well to a plush Malbec from Great Southern .

When it comes to Malbec food matches, Bremerton's Rebecca Willson prefers "charcoal barbecue of a great cut from your local butcher, or pulled pork sliders". For Forest Hill Wines' Liam Carmody, Australian Malbec means just one dish, "a rare steak sandwich!"

Recommended Recipe: Miguel Maestre's chickpea and chorizo hotpot

TRY AUSTRALIAN MALBEC TODAY

Explore Australian Malbec with these great examples that have all passed our rigorous Tasting Panel selection process with flying colours.

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Food
Impress: Daniel Puskas
Words by Libby Travers on 12 Sep 2018
Over the past six years, Sixpenny, found on a humble street corner in the inner-west suburb of Stanmore, has become one of Sydney’s favourite restaurants, and for good reason. The food, served as a six- or eight-course menu, is exquisite, the wine list a delight and the sunshine that streams in the windows on a Sunday afternoon is entirely ethereal. It is a beautiful place to dine. The fact it’s named after sixpenny restaurants, small diners that populated Australian cities in the gold rush era of the late 1800s, where you could get a ‘square meal’ for just sixpence, speaks volumes about its identity. The title was the perfect middle ground for co-founders and chefs, Daniel Puskas and James Parry; it was not as simple as the fourpenny restaurant, not as fancy (or expensive) as their ‘posh cousins’, the shilling restaurant.  Since James’ departure two years ago, Daniel has headed up the kitchen (and run the restaurant) alone. Moulded by many years of experiences and friendships, as most creatives are, he has carved out his own culinary niche. A very successful niche. He was awarded the 2018 Good Food Guide’s Chef of the Year, with the restaurant consistently praised for its modern simplicity. “Over the years I have learnt I want to keep it simple but elegant,” says Daniel of his cooking and plating. “I don’t think it has to look a particular way, it just has to taste delicious. Some people eat with their eyes, but people who really taste the food, will see beyond it.” Life lessons For most successful chefs, it is the time at someone else’s apron strings that creates their style. For Daniel, it was discovering what he didn’t want that taught him valuable lessons. It was an early start in hotel restaurants and function rooms that gave him the impetus to seek out something different, and so, in 2000, he bought a copy of the Good Food Guide, found the best restaurant on the list and applied for a job. The restaurant was Tetsuya’s.  At this revered hot bed of Australian talent, Daniel not only worked under the inimitable Tetsuya Wakuda, but also Martin Benn, who was head chef at the time before going off to open the amazing Sepia, Dave Pegrum as sous chef, and a veritable line-up of Australia’s best talents toiling away as chef de parties and apprentices. He had landed well.  “There was a great bunch of people in the kitchen and on the floor” recalls Dan. “Tets was always in and out of the kitchen. He brought an energy. ‘Taste, taste, taste’ was his mantra and that’s stuck with me.  “But in the end, it was about working in a fine dining restaurant. With so many people you were not doing a magnitude of jobs, rather a large quantity of small jobs.” New world views Like many chefs of his generation, Daniel chose London to expand his culinary horizons. However, the combination of  long hours and long drinking sessions, curtailed any real creative stimulation. Rather, it was time spent in Spain, Italy and Jerusalem that gave Dan food awakening moments. Living in Jerusalem for five months was a change of pace. He started to learn Hebrew and would practise while bartering in the souk and buying his groceries for dinner.  Making his way back to Sydney, he found himself in another highly acclaimed kitchen, Marque. While learning from another incredible line up of chefs, he also mastered how to cook in a tiny kitchen,  work in a smaller team and multi-task. While at Marque, he won the prestigious Josephine Pignolet Award, which provides one young chef each year the financial support to travel. Daniel took off again. This time to America, and into the kitchens of cutting-edge restaurants WD50 and Alinea. Again, an awakening. “I learnt a lot of how I didn’t want to cook,” says Dan of his journey. “I thought I needed to learn all the modern techniques. In fact, it taught me that I didn’t want too much of that in my kitchen.” An Australian identity Back home, Daniel teamed up with James Parry for the first time at Oscillate Wildly in the Sydney suburb of Newtown. It was another growth moment. “James’s training had been at Bird Cow Fish and Billy Kwong. He had a very different approach to cooking,” says Dan.  “He had the skills to make food delicious, where I was trained on how to work in a kitchen. I started to feel I had so much more to learn, again. But I think he found that balance in me, too. So we decided to create something together and Sixpenny was born.”   With this delightful suburban restaurant, Dan has carved out his own identity in the heart of Australia’s culinary landscape. It is somewhat to be expected, given his stunning pedigree. Although he calmly tempers that fact. “It’s about relationships, the people, not the resume,” he says. “We’re only a small restaurant, but we all have big dreams.”  A bit like those folk who ate at the original sixpennys all those years ago.
Wine
Better than Burgundy?
Words by Mark Hughes on 2 Jul 2015
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Wine
What's in a label?
Words by Mark Hughes on 19 Aug 2017
I recently had the privilege of watching the legendary Liverpool FC towel up Sydney FC in a soccer friendly in a private suite at ANZ Stadium courtesy of Claymore Wines . The Clare Valley winery is owned by Adelaide doctor Anura Nitchingham, who became a lifelong Liverpool fan while attending university in the northern England city back in the 80s. Since founding his own winery, he’s been able take his fandom to the next level with the Claymore Wines Liverpool FC range , hence the invite to the match. During the half-time break, with the Reds comfortably leading 3-0, I observed a young couple at the bar looking through the range of Claymore Wines on offer. “Can I try the Purple Rain Sauvignon Blanc …I just love Prince,” the young lass asked of the barmaid. “I’ll have the London Calling,” said he, seemingly unaware of the varietal. It’s a Cabernet Malbec blend, by the way, and a good one, having recently won Platinum  at the Decanter World Wine Awards. Besides football, Anura’s other great love is music. So instead of having wines like a ‘single vineyard Shiraz’, Claymore’s labels bear the name of some of Anura’s favourite songs and albums, such as the Dark Side of the Moon Shiraz, Joshua Tree Riesling and Voodoo Child Chardonnay. “I just wanted to have some fun,” Anura tells me when I ask him the reasoning behind the labels. “After all, wine is meant to be fun, right?” Marketing Wine to Millennials
While it does seem fun, Claymore’s labels seem to fly in the face of traditional wine marketing, where the producer’s logo is consistent across all their wines and information such as varietal, origin and vintage is first and foremost. “It was a struggle early on because the inconsistent branding was deemed anti-marketing,” admits Claymore’s general manager, Carissa Major. “But once we explained the story, we had a more personal conversation with the customer. Now, people come to our cellar door, pick up a Bittersweet Symphony (Cab Sav) and say, ‘this is from my generation, I get it’. The labels were never meant to be a gimmick, they are the sound track to Anura’s life. But marketing-wise today, they present exciting opportunities rather than barriers.” Recent studies from California State University help explain the marketing swing. Researchers looked at the fastest growing buyer market in wine – millennials – people born after 1980, so termed because they hit maturity at the turn of the millennium. This generation is cashed up, brand savvy and, most importantly, they are on the verge of overtaking baby boomers as the biggest buyers of wine. The university study found that millennials prefer wine labels that are brightly coloured, less traditional, more graphically focused and feature creative brand names. If you’re a wine producer listening to a baby boomer marketer, maybe it’s time to think outside the box. The story of Fowles Wine’s Ladies Who Shoot Their Lunch is a great example. The label shows an art deco-style image of a lady in her finery out for a hunt. “My wife designs the labels and we actually took advice from a leading marketer about whether this was a good idea. Their response? No!,” explains Fowles Wines owner, Matt Fowles. “We ultimately disagreed and released the wines, but it was useful advice in the sense that it was liberating. We thought, if there is no place in the market for this, then we should just do the designs we really love, so we did. It was all a bit of fun and, surprise, surprise, they sell well.” Art for art’s sake
Riverland producer Delinquente Wine Co. has taken label art in an even more contemporary direction channelling a punk ethos on their wines such as The Bullet Dodger Montepulciano and the Screaming Betty Vermentino. “The starting point with the artwork for Delinquente was to do something very different to traditional wine labels, but also to represent things we have a passion for, like street art and alternative culture,’ says winemaker/owner Con-Greg Grigoriou. “The art represents our ideas and allows us to connect with people in an interesting way. We all know a ‘Screaming Betty’, or would at least like to party with her. So they have taken on a life of their own.” Not everyone is a fan. Seventy-nine-year-old wine critic James Halliday described Delinquente Wines as setting “the new low water-mark” for labels in Australia. But he likes their wines. And that’s the thing, the wine has to be good to get the buyer to keep coming back. These days, wine is fashion and bottle shop aisles are the catwalks. Marketing a label is just as important as the wine inside the bottle. Get both right and you could just make it. Traditionalists will most likely continue to stock their cellars with family crested bottles. The millennials crave new and exciting. As for me, I’ll see you on the dark side of the moon.
Two Blues Sauvignon Blanc 2014
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