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Wine

Tomich | Wines of the Season

Environmental dedication

Third generation winemakers, the Tomich family proudly own one of the best vineyard sites in the Adelaide Hills. Dedicated to sustainable growing practices, they combine new and traditional methods to not only help the environment, but also to enhance the quality of their fruit. 
The Tomich family's approach is brought to life in their logo as one of the signs of a healthy vineyard is plenty of healthy bees. 

Tasting Notes

This dedication to outstanding quality has certainly paid off with their 2015 Woodside Vineyard Chardonnay having won two Gold medals, a Silver and a Bronze. 
Opening with aromas of creamy ripe white nectarines and apples, it has a lovely round mouthfeel with clean and crunchy flavours from pure stone fruits. A crisp and fresh, yet rich Chardonnay.


The 2015 Vintage

2015 experienced warm days, cool nights and no rain, which meant that harvest was finished by the end of March, and the quality and yields of fruit were excellent. Despite the threat from January’s bushfire, Adelaide Hills grape growers and winemakers celebrated the best vintage in ten years with white and red wines showing the colours and flavours that only come after a long, dry summer and autumn.

+ Food 

A truly versatile wine matching beautifully with classic Australian fish ‘n' chips through to richer spaghetti vongole style dishes.

Tomich City Cellar Door 
87 King William Road, Unley, SA
tomich.com.au
0477 828 

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Know Your Variety - Prosecco
Words by Adam Walls on 19 Nov 2017
Adam Walls reveals how Fizz from France is no longer the number one choice for Sparkling wine lovers. Prosecco is the fizz from Italy that’s overtaking Champagne as the world’s most loved Sparkling wine. The surge in its popularity has seen many an imitation hit the market, even in cans in some parts of Europe! Understandably, the Italians were keen to protect their product, and since 2009, it’s been designated a wine of origin under EU law. This means you can only call it Prosecco if it comes from its region of origin in north-east Italy. Except in Australia, that is. We can still use the name on our Prosecco-style wines sold here, but if they’re exported, they must bear the name of the grape it’s made from, Glera. Prosecco at a Glance Origins Prosecco dates back to Roman times when it was known as Puccino. The bubbly style we know today emerged in the early 1900s thanks to the invention of secondary fermentation techniques. The north-eastern Italian regions where you’ll find a profusion of Prosecco are Veneto and Friuli-Venezia Giulia. Did you know? There are three styles of Prosecco: dry and still; lightly sparkling Frizzante; foaming Spumante. The dry, still style is rarely seen outside Italy and the one we see most of in Australia is Spumante. In Australia
Our home of Prosecco is Victoria’s King Valley , driven by the Italian heritage of many of the local wine pioneers. Add to this the similarity of the region’s rolling hills to those of Veneto and you’ve got Prosecco perfection. You’ll also find great examples in the Adelaide Hills , Macedon and Hilltops . Characters The Glera grape has high acidity and a fairly neutral palate, making it ideal for Sparkling wine production. Prosecco is made using the Italian method where secondary fermentation occurs in a pressurised tank, the bubbles are captured and the wine is then bottled under pressure. This results in a lower alcohol wine driven by bright fruit and acidity rather than the savouriness of bottle fermented fizz. Find out more about the difference between Champagne and Prosecco here . Glera’s aromatic profile is characterised by white peaches, pear and citrus. You can also get floral notes of jasmine and hints of pistachio nut.
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Will the real Pinot G please stand up
Words by Mark Hughes on 30 May 2016
Pinot Grigio and Pinto Gris are two of our most popualr white wines. Are they the same? What is the difference? Which do we prefer? Is it all to do with fashion and marketing? We held a Wine Selectors Members' Tasting to answer these questions and more. About four years ago, Selector ran a State of Play tasting on Pinot Gris/Grigio where the Wine Selectors Tasting Panel reviewed over 60 of the best Pinot Gris/Grigio in the country. Apart from collating a great list of the top scoring wines, what we hypothesised at the end of this tasting was the fact that Australia may in fact produce a wine that is not strictly Pinot Gris and not strictly Pinot Grigio, but instead, a gorgeous white that we labelled as ‘Pinot G’. To explain this further, we have to go back, (it sounds counter-intuitive, but stick with me, as it is a bit of a ‘grey’ area). If you didn’t get that joke, here’s the explanation – Grigio and Gris both mean ‘grey’, but in different languages because Pinot Grigio and Pinot Gris are the same grape, just grown and celebrated in different areas of Europe. Grigio, as the name suggests, is the Italian version, grown predominantly in the regions of Fruili, Veneto and Alto Adige. It is generally picked early and produces a fresh, zesty style with some savoury characters. Gris is the French style, cultivated mainly in the region of Alsace. Its general characteristics are of a rich, full-bodied wine with plump stone fruit flavours and some spice. Popular means ‘plant it’ Although Pinot G has been planted in Australia since about 1980, it has only been in the last decade or so that it has really become popular. And when I say popular – it is immense – five fold since 2006. When this happens, every winemaker and his dog chuck in a few vines in an attempt to earn some dollars at their cellar door. And why not, that’s business. But, one of the problems is that Grigio gets made in a region that might be better suited to Gris, Gris gets made in a region perhaps more ideal for Grigio, and both get made in regions that are perhaps not suited to either. Furthermore, because the name ‘Grigio’ sounds a bit trendier at the moment, the marketing folk insist on putting Pinot Grigio on the label, even when the style of wine is really that of a Pinot Gris. The end result is that it is all very confusing for the consumer. All we want is a nice white wine! The Members rally
To help in this battle to better understand the wines we drink, we asked three Wine Selectors Members (and a guest of a Member) to come into Wine Selectors to join the Panel and taste their way through 16 Pinot Grigio/Gris, handpicked from noted producers across the country.   Long-term members Jeffrey Roberts, Julie Hughes (yes, my wife), and Josh Doolan (plus his guest Linda Thomas) sat down with Wine Selectors T asting Panellists Trent Mannell and Adam Walls , and Selector publisher Paul Diamond for an afternoon of fun and informative vinous examination. Before we even poured a glass, a quick   Q&A confirmed what we had surmised – that the general drinker found it difficult to delineate between an Australian Pinot Grigio and Pinot Gris, and that most consumed Grigio more often than Gris, except for Julie, who came into the tasting not really a fan of either style, but admitting she had only tried a few. The wines of the Pinot Gris/Grigio tasting Bracket 1 – Pinot Grigio David Hook 2015 Adina Vineyard 2015 Primo Estate Joseph d’Elena 2015 Tomich T Woodside Vineyard 2015 Norfolk Rise 2015 Bracket 2 – Pinot Grigio Devil’s Corner 2015 Ninth Island 2015 Sam Miranda 2015 Brown Brothers 18 Eighty Nine 2015 Gapsted Valley Selection 2014 Bracket 3 – Pinot Gris Eden Road The Long Road 2015 Austins Wines Six Foot Six 2015 Natasha Mooney La Bise 2015 Pipers Brook 2014 Coombe Farm 2014 Lisa McGuigan Platinum Collection 2013 The Grigio brackets
The range of styles of these wines was on show from the first Grigio bracket. Jeffrey, Josh and Linda were all taken with the plush fruit and savoury aspects of the David Hook Pinot Grigio 2015 from the Hunter Valley , while the Panel felt the Tomich T Woodside Vineyard Pinot Grigio 2015 (Adelaide Hills) and the Norfolk Rise Pinot Grigio 2015 ( Mount Benson ) had more of those Grigio varietal characters: crisp, bright pear and Granny Smith apple flavour with savoury notes and a umami-like persistence. When anyone gets the chance to taste 16 wines in a row opposite some of the best palates in the business, they embark on a real education. Apart from learning about the subtleties of wine, what our Members discover, as do all our guests who come in for these tastings, is that they actually do have quite a discerning palate. They know what they like, and what they don’t, but the main difference is the ability to describe and catalogue all the vinous information. But once they have some understanding of what to look for in the wine, the varietal characteristics, and the differences in styles, they quickly display some real wine tasting nous. This new skill set was on show with the second bracket of Pinot Grigio, as the scores of the Members and Panel started to align. Sourced from cooler climates than the first bracket, these Grigio were tighter and more acidic. Jeffery, Josh and Linda were all taken with the Devil’s Corner Pinot Grigio 2015 (Tamar Valley), which was described as having excellent balance between the juicy fruit and fine acid frame, while the Sam Miranda Pinot Grigio 2015 ( Alpine / King Valley ) also appealed with its bright, ripe fruit and restrained persistence. However, Julie stuck to her pre-tasting mantra and was non-plussed by either of the Grigio brackets, finding it hard to get past a taste she described as ‘bitter’. The Gris The Gris bracket showed the differences in style between Grigio and Gris. While there was the characteristic pear and green apple fruit, the Gris had a fuller texture and almost creamy mouthfeel. Julie came to the party giving great scores to the Austins Six Foot Six Pinot Gris 2015, which she described as dense, layered and soft, as well as the Coombe Farm Pinot Gris 2014 ( Yarra ) and the Lisa McGuigan Pinot Gris 2013, which found favour with luscious soft acid and juicy savouriness. The end result The fact that there were 10 Grigio and six Gris in the tasting is reflective of the popularity of the styles in Australia. Grigio is more trendy, sells better and pairs well with summery dishes such as seafood and mezze plates, while Gris has a more acquired taste, matching well with richer, creamier recipes. However, the big thing to come from this tasting was the development of winemaking techniques that show that noted producers, at least, are making Grigio and Gris more in line with their European counterparts. Perhaps, we can now drop the ‘Pinot G’ label and confidently use Grigio and Gris. Try these wines yourself and see if you agree.  
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Rosé revealed – how is it made?
The time is ripe for Rosé – spring afternoons and evenings are perfect for relishing the refreshing, savoury characters of fabulous Australian drops. But, as you sit back and sip its deliciousness, do you ever wonder exactly how Rosé is made? Up until a few years ago, Australian winemakers made Rosé as an afterthought, says Tasting Panellist Adam Walls . “Whereas now, the wines are being made deliberately, with designated parcels of fruit that have been picked specifically to be turned into Rosé.”  As Hunter Valley winemaker Mike De Iuliis explains, “There are two distinct keys to making quality Rosé. First is the variety that is being used, and second is timing of harvest.” There are many different styles of wine and as Mike describes, “Rosé is quite a personalised wine and at De Iuliis, we are looking to produce a style that is bright, fresh and vibrant. We also try to produce a drier, more savoury style that is built around texture and acidity rather than sugar and fruit.”  So, how is Rosé made? The Maceration Method Just like red wine, Rosés pick up their colour from the skin of red wine grapes. The winemaker can determine the depth of colour in the wine by deciding how long to leave the juice in contact with the skins, typically anywhere from 2 to 24 hours – the shorter the time, the lighter the colour. The amount of time a winemaker leaves the juice in contact with the skins, Hunter Valley winemaker Mike De Iuliis explains: 

“It depends on the variety you're using. With our special release Rosé, which is made from Grenache, the fruit is harvested by machine and then transported to the Hunter Valley (from the Hilltops). This time on skin is about long enough (approx. 8-12 hours), to pick up the colour that we like and also the flavour profile that we are looking for.”

- Mike De Iuliis, De Iuliis Wines - Hunter Valley
There are different techniques used for this process, including the maceration method, which allows the crushed skins of the red wine grapes to ‘steep’, or macerate, in the juice for a short period of time, before the skins are removed and the entire tank is finished into a Rosé wine.  The Saignée Method Another method is called the Saignée (‘san-yay’), or the ‘bleed’ method. This involves ‘bleeding off’ a portion of the juice – while the remaining goes on to make red wine – into a separate vat to finish fermentation. This technique can result in some really lovely examples. Saignée expert Andrew Margan is a strong proponant of this style:

When making rose using this method we soak the unfermented grape juice on its skins for about 48 hours and allow the juice to soak some colour and flavour out of the skins before we run just 10 % of that juice off into another tank and add yeast to ferment it like a white wine. Cold fermentation ensures that the fruit flavours and aromas are conserved in the finished wine.The key is to make sure you drain off the juice at the right time. Because we have much softer tannins here in the Hunter and we obtain ripeness of flavour at lower alcohols we can make a saignee style rose that does not require any residual sugar and has enough richness of flavour without being too high in alcohol to make a dry rich Rosé

- Andrew Margan, Margan Wines
Blending: Another way to make Rosé is by mixing white and red wine together, although, this rather crude method is generally frowned upon and doesn’t usually make for a very nice tasting wine.  Colour and Characters: The colour of Rosé can range from the lightest shades of pale onion skin pink to salmon, coral, hot pink, and ruby red; generally speaking, the darker the colour, the more intense and sweeter the wine. Primary fragrances and flavours of Rosé depend on the type of grape, or grapes, used, but will typically sit along the spectrum of red fruits and florals, melons and zesty citrus. Sometimes, you’ll find pleasant green characters, like rhubarb or strawberries with their leafy green tops still on.  What varieties are used to make Rosé?
Rosé can be made from just about any red wine grape variety there is. In Australia, the more common varietals used to make Rosé include  Shiraz ,  Pinot Noir , and Grenache . But also,  Merlot  and  Cabernet Sauvignon . In Provence, the historical home of Rosé, winemakers will blend grape varieties, such as Cinsault, Mourvédre, Syrah (Shiraz), and Carignan, to create gorgeous examples of this pale pink wine. Now you know how it’s made, it’s time to drink to Rosé’s pink perfection and fill your spring with some delicious drops.  
Two Blues Sauvignon Blanc 2014
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