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Wine

Henschke – Beyond the Hill

Selector goes beyond the hill (of Grace) to discover a treasure  trove of stories in the vast and impressive range of a true icon in the Australian wine industry.

The Henschke name holds a revered place in the vast mural that is the Australian wine landscape and for very good reason. Their Hill of Grace Shiraz has defined what is possible for an Australian single vineyard wine and is often considered our greatest.

At $825 a bottle, Hill of Grace is now considered a wine ‘unicorn’ and the current 2012 vintage recently received Halliday’s prestigious Wine Of The Year award, further cementing its place as one of the world’s greats. The vineyard, planted by second generation Henschke, Paul Gotthard in the 1860s, is considered among our most precious wine assets.

Of those who have been lucky enough to try Hill of Grace, few will doubt the acclaim it receives. But what about Henschke’s other wines? A total of 31 wines make up the Henschke portfolio and whilst Hill of Grace could easily dominate page space, the wines that tell the rest of the family story are equally deserving of your attention. 

Selector recently visited the Henschke family at Keyneton in the Barossa’s Eden Valley for a special tasting with fifth generation winemaker Stephen and his daughter, Justine, to flesh out the Henschke story beyond its flagship.

The Grape Garden of Eden

The Henschkes call the elevated hills and plains of Eden Valley, specifically Keyneton, home.

“The name Eden Valley is just gorgeous, conjuring up many things, so whoever called this place Eden Valley really knew what they were talking about,” explains Stephen.

“South Australia has the reputation for being the driest state on the driest continent on the planet, but there are parts of it, like the Mount Lofty Ranges, that have an amazing climate.

“At about 500 metres, we have four distinct seasons; from wet winters and mild, sunny springs through to mild to hot summers and dry autumns.

“Those seasons, and the day-night temperature differential during the ripening period is the critical parameter for the low PH/high acidity that creates natural balance in the fruit and the resultant quality and purity of the wine.

“For Riesling, it keeps acidity and minerality and you get fine, pure examples. You’ve got Shiraz that is much more elegant, textural and spicy; red fruits, black fruits and lovely velvety tannins – all driven by the climate.”

Liquid History              

The first bracket of Rieslings quickly reinforced Stephen’s point, showing how fine-boned Eden Valley Riesling can be. Julius is named in celebration of Stephen’s great uncle Albert Julius, who was a stonemason and well known for his sculpting and war memorial work in Adelaide and the Barossa. 

All three wines tasted expressed a fine but generous backbone of lime juice-like acidity that carried with it layers of concentrated citrus, just-ripe stonefruits, minerals and spices through the length of each wine. The 2002 Julius, with 15 years under its belt, expressed the ability for these wines to age gracefully and was still showing youthful floral aromatics, fleshy primary and secondary fruit flavours and a fresh, clean mouthfeel. 

The consensus was that whilst mouth-watering, the 2016 was still in its infancy and needed time to show its true colours. The 2002 Julius was Stephen’s pick and he loved the amazing spicy, floral mix of the aromatics. Wine Selectors’ Head of Product Matt White had similar thoughts and remarked on the wine’s youth and poise.

A bracket of exotic Gewürztraminers followed, again reinforcing how much of an impact the Eden’s warm days and cool nights have on coaxing fine and delicate flavours out of the aromatic grape varieties. Named after Joseph Hill Thyer, who planted the first vines on the family’s Eden Valley property, these wines are an expressive nod to the great European Gewürztraminers of Alsace.

Heady aromas of musk, Turkish delight, lychee, rosewater and delicate blossoms are all things that you could see in all of the wines shown. In the mouth, tight and complex citrus flavour lines made way for fleshy red and green apples followed by a fine, clean finish.

Justine was a fan of the 2016, believing that it had great potential to age, whilst my pick was the 2010 for its complexity, texture and classic European style.

Next in the glass was a line-up of Louis Semillons, named after Louis Edmund Henschke, who managed the Hill of Grace Vineyard for four decades. Louis ran the vineyard organically and Stephen’s wife Prue, the Henschke viticulturist, has continued this philosophy, including biodynamics for soil and vine health. Once considered wacky, biondyamics is now recognised as best practice. Prue is a true leader in the field and much of the modern success and sustainability of the Henschke name needs to be attributed to her influence.

The Louis wines are classic varietal examples of Semillon displaying lemon, lemon peel and citrus aromatics and flavours of lanolin, apples, and spice on the palate. The wines were stylistically unique, showing lots of open, fleshy complexity as young and older wines.

The 2014 Louis and even the 2010, while still being fresh and youthful, were exhibiting loads of juicy, fleshy fruits that maintained all the way from start
to finish.

Matt loved the 2014 for its youth and purity, Justine the 2003 for its gracefully aged elements and creamy fruit and Stephen believed the 2014 to be a ‘complete’ wine with appealing complexity and structure.

Heavenly

A collection of Abbotts Prayer wines came next and served as a neat segue into exploring another important regional chapter in the Henschke story – the Adelaide Hills. Stephen and Prue purchased an orchard at Lenswood in 1981 to plant cool climate varieties. The devastating Ash Wednesday fires of 1983 wiped out the orchard and Prue and Stephen then established vineyards.

Abbotts Prayer is a single vineyard, Merlot Cabernet Sauvignon blend first produced in 1989 in acknowledgement of the region’s religious and cultural history. The wines are an elegant expression of cool climate intensity, but delivered with composure and finesse.

The 1996 example gloriously demonstrated the ability to age beautifully by displaying surprising youth for a 21-year-old. The wines were sweet and spicy, delivering fine, orderly layers of blackberry, blueberry, mulberries and plums, the mouthfeel velveteen and the finish long.

Whilst the 1996 was a favourite for its age, the 2012 was the standout for everyone involved. Stephen loved its elegance and power, Matt loved the complexity and Justine favoured its youthful balance and power.

A fitting finale

Lastly we tasted Euphonium, dedicated to the Henschke Family Brass Band that was a favourite pastime of the early German-Silesian settlers in the Barossa from the 1840s. Keyneton Euphonium (formerly Keyneton Estate) is a Shiraz, Cabernet Sauvignon, Merlot and Cabernet Franc blend with each year delivering varying percentages.

The wine is intense, rich and complex, displaying classic old world Hermitage characteristics: star anise, pepper, tar, dark berry, cigar box and sweet cassis aromas that make way to a concentrated but smooth palate of fleshy blackberries, mulberries and silky soft tannins.

We all loved the 2002 Euphonium for its aged elegance, Justine favoured the 2009 for its savoury fruit construction, while Stephen loved the 2013 for its fruit-driven palate and fresh balance.

Family Reflections

It’s gratifying to know that each Henschke wine contains a part of their family story and each year they celebrate their history by turning soil, grape and sunlight into something delicious that can be shared and cherished. It’s even more gratifying that the wines are as great as the stories.

Stephen fittingly and simply put the Henschke mantra into perspective.

“Our whole philosophy is about being better not bigger. It’s about the quality, our amazing resources of old vineyards and making the most of our beautiful fruit and turning it into something
really special.”

Long may the stories continue.

The Wines of the Tasting

Henschke Julius Riesling 2016

A pure Eden Valley Riesling with power and finesse. Fresh and delicate lime blossom and kaffir lime aromatics lead to a mouth-watering palate of minerals, green apples and limes. A definite keeper.

Henschke Keyneton Euphonium cabernet Blend 2013

An attractive, regal wine with complex aromatics of spice, plums, mulberries and blackberries. The palate is fine yet powerful with velvety, spicy layers of plums, blackberries and mocha.

Henschke Louis Semillon 2014

A complex, well-structured Semillon with good cellaring potential. Fleshy, open aromatics of fresh and baked apples, preserved lemons and marzipan with a palate full of sugar snap peas, lemons and lime juice.

 

 

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Showcasing Shiraz with Australia's First Families of Wine
Words by Paul Diamond on 14 Oct 2017
A fabulous Wine Selectors dinner with Australia’s first families of wine revealed the bright future of this incredible variety. A red wine dinner in the middle of a chilly Melbourne August seemed like a highly appropriate thing to do and what better variety than Shiraz to chase the cold away. And so a four-course menu by the team at Neale White’s Papa Goose restaurant was devised and 12 great Shiraz from Australia’s First Families of Wine (AFFW) were sourced and the tables set. By the time the Wine Selectors faithful started arriving, it was clear that the dinner was going to be one to remember. Designed to celebrate Shiraz through the expressions of 12 wines from the 12 families that make up the AFFW , the diversity of flavours and expressions from one grape variety was quite remarkable. On paper, the line-up looked simply yummy, but as the wines were being opened and tested before the guests arrived, the reality of what we were pouring and tasting started dawning on us; we were privy to a multiplicity of smells, flavours and textures that were being represented from 10 different regions and 1300+ collective years of winemaking experience. A Family Affair
On hand to help host, pour and manage 1000-odd glasses of Shiraz were Katherine Brown, Brown Brothers winemaker and Chairperson of the AFFW Next Generation, Justine Henschke, PR for Henschke Wines , Justin Taylor, export manager for Taylors Wines, Sally Webber, DeBortoli family ambassador and Jeff McWilliam, CEO of McWilliam’s Wines . The food was awesome and the wine a perfect foil for the cold and wet. And as the family anecdotes from each of the AFFW members were told, the conversation eventually found itself reflecting on the future of Australian Shiraz. “Shiraz is the past and it’s also the future,” Justine Henschke noted emphatically. “It’s the past in that it has established a lot of wine communities and it’s the future in that we now know how Shiraz thrives according to climate.” “So now it’s all about educating people on what style comes from where, so they know where to go for something specific.

Look at tonight, we have tried 12 different wines of the same variety across many different regions, showing small nuances from where they have been sourced and that’s pretty incredible.

- Justine Henschke, Henschke Wines
Sally Webber agreed that diversity is a key and that blends are going to play a big part in strengthening its appeal for future generations. “I love that it’s such a diverse variety and can blend beautifully with so many other varieties.” “The future for Shiraz is in blends,” she added. “It’s such an intense variety, you have pepper and spice and there are some varieties you only need a little of and it brings out all these other great characters. “Rhône varieties like Grenache and Mourvedre, and even varieties like Gamay and Tempranillo really add different expressions to Shiraz and as the Australian consumer becomes less conservative and more experimental, we’ll get to see the variety’s real potential.” A hint of spice
For Katherine Brown and Brown Brothers, fine, spicy cool climate Shiraz is the future and Heathcote is their chosen region. As Katherine described, “We think customers understand that Shiraz doesn’t need to come from a warm climate and we are on the search to make a Shiraz that you can call refreshing.” “Something you can drink at lunch, something that is more about pepper and spice than big jammy fruits. That’s where I see the future of Shiraz, we are starting to see these cooler climates like Heathcote, Eden Valley and Margaret River delivering these flavours.” So what about hot areas, those that built the wines that put us on the map like Barossa , McLaren Vale and the Clare ? Justin Taylor thinks that Shiraz is a variety that can deal with the heat and with careful winemaking, the future for warmer styles is still bright.

“Australia’s getting hotter whether you like it or not, and Shiraz loves heat, so we can keep making more Shiraz for the global market, we can do it with rationality, and we can do it with diversity. Our quality has never been as good as it is right now, it’s a great story for this country.”

- Jeff McWilliam, McWilliams Wines
Jeff McWilliam agrees and is happy that the diversity we are seeing has extended to a place where the expressions of Shiraz that emulate the O’Shea Hunter River Burgundies that the Hunter Valley does so well are gaining popularity again. “We are going back to medium bodied wines, just like the great old wines that came from Mt Pleasant,” said Jeff. “I love McLaren Vale and Barossa Shiraz , but I know the wines we do best are in that style of the old O’Shea wines. “We are talking about vineyards and the special wines they produce, but the Hunter is like that, you can have a great vintage and you can have a really poor vintage and that’s the excitement of it, just like the diversity of Australian Shiraz.”
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Sharp Thinking
Queensland mechanical engineer Mark Henry had the professional chef in mind when, as a student,   he set about developing a range of knives that were supremely functional and of such quality that they could withstand the rigours of Australia's busiest restaurants. They became so popular with chefs, they are now sought by home cooks as well. “I developed the knives for working pro chefs,” recalls Mark. “As a young student with no commercial experience, I had no idea about retail. I just wanted to redefine the working chef’s knife and eliminate all those traditional old weaknesses. “Chefs really liked the Füri knives from the beginning, then they talked about them, wrote about them in their food columns, at their cooking schools. Soon, the department stores were getting so many enquiries from consumers that they wanted Füri too. The demand was such that Füri was an immediate success, and quickly became Australia’s #1 premium knife brand.” The best metal for the best blade Most professional knives are produced in Europe, but Mark wanted to design a knife range that totally re-shaped the category. His first idea was to use high carbon Japanese stainless steel, noted for its superior durability and ease of sharpening.   For the best combination of sharpness and toughness, Mark specified the blade be between the thick, strong European style and the sharp, light Japanese style. “I was determined to use a type of high carbon stainless steel alloy that was more like the old carbon steel knives than the modern European knives,” says Mark. “Without the complex metallurgy, that means Füri knives have the ideal combination for working chefs of a blade material that holds its edge a long time, but is also easier to sharpen than the more common CrMoV alloys used in German knives, and most Japanese knives today. I would love to use full carbon steel, like the famous old French chef knives that take such a sharp edge so easily, but the corrosion would drive everyone mad these days, so it had to be also stain-resistant! Not an easy combination of features, but we achieved it.” Seamless design The next crucial element was in the seamless construction. The blade and the handle are one, so there is no place for food to get trapped, and no rivets or plastic parts to fail. So not only does it look stylish, it is the ultimate in food hygiene and durability. “I thought it was a bit silly that after 800 years of chef knife making, in the ‘90s we still had the same riveted handles, sometimes still with the same type of wood ‘scales’, or plastic more recently,” says Mark. “My chef friends and I all had knives with handles that had split wood, lots of gunk in the gaps, rivets missing, melted plastic, etc. I worked on a way to make the blade and handle into one seamless piece, while still keeping a hollow cavity in the handle for the correct balance. “Nothing beats this construction for hygiene and durability, particularly when combined with our tough steel and strong blades. The Iconic handle What also raises Füri above its competitors is its innovative handle design. The iconic reverse wedge shape means the handle locks into the hand for a safer grip, which helps reduce hand fatigue, and reduces repetitive strain injuries. “While I was still at university (QUT) studying my mech engineering degree, I put some research into the forces involved during the most repetitive and heavy cutting motions chefs use,” explains Mark. “It became quickly evident, to me, that the traditional handle shape (basically the same for 800 years) was opposite to what it should be. The traditional taper which becomes narrower toward the handle actually encourages hand slip toward the blade. Then I realized why nobody cut themselves, even with wet/oily hands: the brain automatically compensates for any small slip by making the hand squeeze tighter on the handle to produce more friction and grip. “That means fatigue for chefs  in the short term, and arthritis, carpal tunnel and other problems in the long term The Füri reverse-wedge handle actively reduces this slip by becoming thicker toward the blade, in the direction that counts, so that less hand squeeze is required for the same cutting work. This means less fatigue and less hand problems for chefs, or anyone with sore hands.” Füri’s innovative design elements and materials result in knives of the utmost quality and are the reasons Füri is the knife of choice for chefs around the world. TV chef and restaurateur Kylie Kwong is a Füri brand ambassador, while Nigella Lawson is also a big fan. Füri knives are ranged in all major department stores and independents around the country. For more information visit furiglobal.com
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Margaret River’s 50th
Words by Danielle Costley on 12 Nov 2017
As WA’s Margaret River wine region celebrates its 50th anniversary, we celebrate the pioneers who brought it all to fruition. A hundred years ago, a couple of Italian immigrants arrived in the south west corner of Western Australia with some cuttings of a little-known grape variety called Fragola. These vines produced the first wines to be sold in Margaret River for the hefty price tag of two shillings a flagon. Fondly dubbed ‘red dynamite’ by the enthusiastic community, this wine was in high demand at the local dance halls where it was sold from the back of a truck. And it was said to pack quite a punch. Times have certainly changed since then and while other growers produced small batches of wines in the ensuing years, it wasn’t until the mid 1960s when agronomist Dr John Gladstones published a report identifying Margaret River’s vast potential for viticulture, that the region, as we know it today, was born.
The Gladstones report attracted the attention of budding vignerons and medical practitioners, Thomas Cullity and Kevin and Diana Cullen. In mid 1966, the Cullens organised a meeting in the Margaret River township of Busselton inviting Dr Gladstones to speak. It was the final push those attending needed. Soon after, the Cullens, in partnership with Tom Cullity, and Geoff and Sue Juniper, planted vines in Wilyabrup, which unfortunately didn’t survive. It was left to Cullity, who in 1967 purchased a mere eight acres of land, to plant Margaret River’s first commercial vines – Cabernet Sauvignon , Shiraz , Malbec and Riesling . He named his venture after French sailor, Thomas Vasse, who had drowned in Geographe Bay. Hoping for better fortunes than the Frenchman, he added the Latin word for happiness – Felix. His first crop, too, was all but a disaster, decimated by birds and succumbing to bunch rot. Undeterred, but determined, Cullity persevered. In 1972, Vasse Felix won a gold medal at the Perth Show for its Riesling. The following year, gold for its Cabernet. Happy days, indeed. The Cullens also persevered. In 1971 they planted vines on their own land where their current vineyard still thrives. At this stage, Moss Wood had been established for two years and within another two years, Cape Mentelle, Leeuwin Estate, and Woodlands had also been established. In what was a fledgling industry at the time, these founding wineries worked tirelessly to forge the region’s reputation as a premium wine producer. “I pay tribute to the winemakers and grape growers of Margaret River,” says Dr Gladstones, who is still a proud member of the Margaret River community today. “It’s one thing to have an idea and put it forward, it’s another this to be brought to fruition. The work and financial commitment that had to go into it has been a big factor in bringing Margaret River to its present world-class status.”
Left: Bob Hullock. Right: Cullen Wines co-founder Diana Cullen  An American influence While the pioneering wineries may have simply dreamed of making good wine, there was a certain Californian who knew of Margaret River’s enormous potential – Napa Valley wine baron, Robert Mondavi. As the story goes, Mondavi was searching the globe for the next great wine region. His search took him to Margaret River and a patch of land owned by Denis Horgan, a chartered accountant, and his wife Tricia. Today, it is Leeuwin Estate. “Mondavi arrived on our doorstep wanting to buy the place,’ says Denis. “We weren’t the selling type, so he became our mentor in setting up a winery. He and his son and winemaker, Tim, came out on numerous occasions to advise on what varieties we should plant, where to plant them, about oak treatment and so on.” Mondavi’s advice was also greatly accepted by Cullity and Kevin Cullen, who Denis befriended and met up with regularly to discuss all things wine. “You would have sworn you were in a dog fight,” Denis says of the trio’s rendezvous. “They used to swear and curse and talk about one another’s wines, and then we’d all sit down and have lunch like we were the greatest of friends.  “They were fabulous guys. It was the best education I could have had because they didn’t pull any punches. They set out to make wines that ranked with the best in the world, and they damn well did it.” A region evolved
Three generations of Credaros in their Woolston vineyard Fifty years on, Margaret River is indeed a world class wine region. While it only produces three percent of Australia’s wine, it contributes 20 per cent of our premium wine production. It is recognised internationally for exceptional Cabernets and Chardonnays, and also produces a stylish signature blend of Sauvignon Blanc and Semillon. The handful of wineries have now boomed to over 200 with most of them producing the flagships, while also experimenting with other varietals and blends that suit the Mediterranean climate, cooling sea breezes and rich gravelly soils. In the northern districts lies the family-owned Credaro Wines, where some of the region’s first vines were planted by the pioneering Meleri and Credaro families to produce the ‘red dynamite’. These days, they have over 140 hectares of vines spread across five vineyards and alongside the legendary Fragola, and Chardonnay, Cabernet and SBS, they are doing well with Pinot Grigio, Shiraz and Merlot. Thompson Estate is renowned for its Chardonnays and Cabernets, but is also finding favour with its Cabernet Merlot, Malbec and famed Four Chambers Shiraz. The 20-year-old vines are organically grown and produce impressive wines under the watchful eye of Bob Cartwright of Leeuwin Estate acclaim.
Hay Shed Hill, Margaret River At Hay Shed Hill, whose vineyards were first planted in the 1970s, the Block 6 Chardonnay is the star. Dry grown and located on a steep south facing slope, it is lean, light and fresh, but also has “flavour, aroma, body and textural interest,” says winemaker and owner, Michael Kerrigan. In concert with the Block 6, he is also giving plenty of attention to a stunning Cabernet Franc, as well as an intoxicating Shiraz Tempranillo blend. In the cooler, southern parts of the Margaret River, Sauvignon Blanc really finds voice as a single varietal. In close proximity to the Indian Ocean, you will find Redgate Wines, a winery that takes its name from a nearby property that once had a prominent red gate and was known for the production of a rather powerful moonshine. This estate, established by the Ullinger family in 1977, produces a sublime Sauvignon Blanc that is layered with gooseberry and lime. Their Cabernet blends are also beguiling, and they have a Chenin Blanc that is also turning heads. Even further south lies Hamelin Bay Wines, a quaint winery with a simply breathtaking outlook. It produces one of the region’s finest Sauvignon Blancs – fresh, vibrant and tropical, while their Rampant Red, a blend of Shiraz, Merlot and Cabernet, is winning fans. Something Totally New When Moss Wood winery was sub-divided in 1982, architect Bruce Tomlinson purchased the land and established Lenton Brae winery. Putting his talents to use, he built a striking rammed earth winery and cellar door with two towers that are home to quintet bells from Westminster and chime on the quarter-hour. A few years ago, the Tomlinsons introduced a new varietal to the region, Pinot Blanc. This unassuming grape is a mutation of Pinot Noir, yet genetically similar to Chardonnay. Winemaker, Edward Tomlinson, says he was drawn to the subtle charm of this early ripening variety. “Essentially, it is a Sauvignon Blanc for grown-ups,’ he says. “The decision to plant Pinot Blanc was a big call. Having seen my father wrestle with the implications of uprooting two hectares of Pinot Noir in the early days, I was amazed at how supportive he was for me to take a punt on Pinot Blanc.” And these are not the only newcomers to the region. There’s been an influx of plantings of Mediterranean varietals in recent years, with Fiano, Vermentino, Nebbiolo and Sangiovese finding favour amongst the growing band of winemakers. A Fitting Half Century
As the 50th celebrations kick off in earnest, it is heartwarming to see much love given to the traditions of the pioneers. Vasse Felix’ s ‘tractor bucket’ party recreated the spirit of founding producers who celebrated each of those crucial early vintages in style with tractor buckets turned into eskys, filled with ice and wine and enjoyed out amongst the vines, even serving as a bed on some occasions. “Anniversaries such as this are an opportunity to share with the world just how special Margaret River is. It is a wine paradise,” says current Vasse Felix owner, Paul Holmes a Court. The single remaining bottle of the 1972 Cabernet Sauvignon Malbec is on display in the Vasse Felix vault and to celebrate the winery’s 50th anniversary, they have released a Tom Cullity Cabernet Sauvignon Malbec made from those original vines. I am sure the good doctor would approve. And while he would be astounded to see how big the region has grown, he always knew how good the wines were going to be. “I knew because Mondavi told me so,” says Denis Horgan. “He always said that Margaret River was going to make wines that ranked with the best in the world. It was his catch cry.” The best is still yet to come says Dr Gladstones, who fittingly gets to have the last word. “I strongly believe that we’ve only seen the beginning,” he says. “This region has tremendous natural advantages for grape growing to produce top quality wines. “With its environments, experience and now increasing vine age, Margaret River is undoubtedly ripe to walk with the greatest.”
Two Blues Sauvignon Blanc 2014
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