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Wine

Meet the Maker – Oliver’s Taranga

Spend some time with Winemaker Corrina Wright from Oliver’s Taranga, whose 2016 Fiano is our September Wine of the Month.

Your Oliver’s Taranga vineyards are located in McLaren Vale, what makes the region so special?

I think that McLaren Vale is such a beautiful region- the vines, the beaches, the food, the proximity to Adelaide. Pretty much Utopia!

Your family has a fantastic grape growing history in McLaren Vale dating back to 1841. In 1994 you made and launched the first Oliver’s Taranga branded wine – is that correct?

Yes, I am the 6th generation to grow grapes on our Taranga vineyard in McLaren Vale. So we are 176 years and still going strong! In 1994, I started my oenology degree and began making some wines from the vineyard after begging my Grandpa for some fruit. He was pretty keen to sell some wine to his bowls mates, so he was on board. I suppose things just grew and grew from there. I was working for Southcorp Wines and making Oliver’s Taranga on the side. Eventually, Oliver’s Taranga took over, and we renovated one of the old worker’s cottages on the property and turned it into a cellar door in 2007. We are still growers for a number of different wineries, but now around 35% of the crop from our vineyard goes to our Oliver’s Taranga brand.

Find out more about the Oliver's Taranga cellar door in our McLaren Vale Winery Guide.

Six generations on, you and your cousin Brioni Oliver are winemaker and cellar manager respectively – what’s it like working with family?

I love it. Brioni is actually on maternity leave at the moment –  little 7th generation Hugo was born a few weeks ago, and I am really missing her. We work well together and are focused on making our business as good as it can be.

Your wine labels are quite fun and quirky – who’s responsible?

We work with designer Chris Harris from Draw Studio, who has a very quirky sense of humour. Also, we know there’s a myriad of wine brands for people to choose from out there, so what makes us different? It is the people and the history, so being able to tell real stories are key to helping us stand out above the white noise! We have been on the property for 176 years now, and have many documents from back in the day. Producing the wine each year is a continuing documentation of our time on the land, so we use our little comments on the label “The Year That….” To tell something quirky that happened on the farm that year.

Our Wine of the Month is your 2016 Fiano –  what is it about alternatives like Fiano that you like so much?

They suit our climate and lifestyle so well. Fiano is very drought and heat tolerant and has lovely natural high acidity, it is also disease resistant and has great thick skins. Also, the resultant wine works so well with our foods and regional produce. Being coastal, we eat a lot of seafood in the region, and Fiano has lovely texture and line that works perfectly in this space. Find out more about Australian Fiano here.

In our food and wine matching calendar, we’ve paired it with a delicious avocado spring salad (avocado, snow peas, radicchio, witlof, radishes, red onions, pea shoots and roasted macadamias) – what’s your choice of food partner?

That sounds yum! I love it with kingfish ceviche with avocado, lime, cucumber, tomato, spring onion, coriander, salt, pepper – delish. 

What’s your favourite wine memory?

Probably doing the Len Evans Tutorial – a week of wine, learning, sharing and food. On a personal level, the 1996 Salon Cuvee ‘S’ Le Mesnil Blanc de Blancs I shared with my husband on our wedding day.

Other than your own wine, what wine do you like to drink at home?

Anything goes. Grenache is a current favourite. Riesling gets a solid bashing. I probably tend to drink more white wine at home and the Champagne is always cold.

What are your three top recommendations for a first-time visitor to the area?

  1. A summer day in the cellar doors, followed by a dip in the ocean at Pt. Willunga and fish and chips from the Star of Greece as the sun goes down.
  2. Early Saturday morning at the Willunga Farmers Market getting all your produce for a decadent feed.
  3. Visit tiny wine shop Fall from Grace in Aldinga for something quirky and meet up with the locals.

What is your favourie?

Way to spend time off?

Beachside/poolside somewhere warm with a book.

Holiday destination?

We are heading to South Africa for the first time, next year, so I am very excited about that. Our go to is Bali – surf, sun, food, easy as.

Time of year?

Spring

Movie?

I just binge-watched ‘The Handmaids Tale’ on SBS On Demand last weekend. So, so, so good. And disturbing.

Restaurant?

Pizza-teca or Salopian Inn. McLaren Vale has loads of choices, and it’s hard to go wrong!

Sporting team?

Adelaide Crows #weflyasone

FIND OUT MORE ABOUT OLIVER'S TARANGA SMALL BATCH FIANO

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Debortoli Dream Vertical – Taste of Yarra
Words by Paul Diamond on 4 Dec 2017
Leanne De Bortoli and Steve Webber put on a tasting that reflects 30 years of Yarra Valley history. It’s almost 30 years since newly wedded Leanne De Bortoli and Steve Webber headed to the Yarra Valley to take up the family dream of building a cool climate addition to De Bortoli’s wine portfolio . Much has happened in those decades and the De Bortoli offering is, like the family itself, getting better with age. To reflect this, Selector headed to the Yarra, where Steve and Leanne dug out some old bottles and dusted off the stories that came with them. Where it all began
Vittorio De Bortoli from Castelcucco in Italy’s alpine north, immigrated to Australia in 1924, leaving his young fiancé Giuseppina behind. He landed in Melbourne, but soon found himself in the newly irrigated Riverina , sleeping under a water tower and eating from his vegetable patch. After four years, he had saved enough to buy a farm and send for Giuseppina. In the first year of Vittorio and Giuseppina’s Bilbul farm, there was a glut of grapes, so Vittorio constructed a concrete tank and crushed 15 tonnes, officially kicking off De Bortoli Wines. Deen makes his mark With Giuseppina and Vittorio together, the farm thrived and they soon had three children: Florrie, Eola and Deen. Of the three, Deen was fascinated with the machines that operated the winery and as he got older became a permanent fixture. He was a passionate about progress and as the responsibility passed from Vittorio to Deen, he began expanding, experimenting and looking toward the future. Deen married Emeri Cunial, a Griffith girl with Castelcucco heritage and soon the third generation – Darren, Leanne, Kevin and Victor – arrived. The third generation
Deen’s passion for wine was passed down to all his children. Oldest son Darren, now managing director, studied winemaking at Roseworthy College and decided to experiment with botrytis affected Semillon grapes . That wine eventually became the highly awarded 1982 Noble One that propelled De Bortoli to become one of Australia’s great wine brands. Third born Kevin pursued viticulture and now manages the 300 ha of the family estate that produces some 60,000 tonnes of grapes per vintage, while Victor, the youngest, is export manager. Leanne followed her brother Darren to Roseworthy and completed a diploma in wine marketing and was advised by her big brother, “whatever you do, don’t marry a winemaker!” But she did exactly that and married Steve Webber, who was making wine for Leo Buring and Lindeman’s. In 1987, the family purchased the Dixon’s Creek property in the northern edge of the Yarra Valley , which Leanne and Steve moved to in 1989, beginning the Yarra chapter of the De Bortoli story. To help tell it, Steve and Leanne presented us with a range of wines that best reflect their Yarra journey.  The Tasting
​ Sauvignon Blanc is a polarising variety, so it makes sense that Steve and Leanne did not add the ‘blanc’ to their labels. Plus, their versions are textural and savoury, inspired by the Sancerres of the Loire rather than those from across the ditch. “They need to be delicious, and great with food,” said Steve. “When we went to France, we loved the delicate, savoury wines of Sancerre and we decided that was what we wanted to make here.” The 08 Estate Sauvignon was surprisingly fresh, fine boned and creamy, whilst the 2010 single Vineyard PHI, and the mouth-wateringly juicy 2017 Vinoque reinforced that Steve and Leanne make wines they are proud to share at their table. The evolution of Chardonnay Next came the 1990 Estate Chardonnay and as the first wine they made at Dixon’s Creek, it was a treat to taste and contemplate how far Steve’s winemaking and Australian Chardonnay have come . “When I think about some of the wine we made in the early days, we thought we were doing some pretty amazing things,” Steve recalled. “But really we were just babes in the woods.” “Now we have a greater understanding of climate, viticulture and how to approach winemaking, with less interference, letting the wines make themselves.” The 2000 was in great shape with secondary stonefruit, fig and nut aromas and a poised, fleshy, peach-lined palate, but the next three wines really illustrated Steve’s points. As we moved from the 2005 Estate to the 2015 Reserve and the 2015 A5 Section it was like the volume was turned up on complexity, minerality and concentration, while the background noise of weight, oakey textures and mouth-feel was quietly turned off. The A5 Section Chardonnay topped the bracket as it had the greatest complexity, but was delivered without weight, showing citrus blossom characters, with mouth-watering flinty minerals. Reflecting on Pinot
Pinot was next and the same evolution was occurring. Less new oak and a focus on producing perfume not structure became evident as we moved from the 2000 and 2005 Estate and 2005 PHI, through to the glorious 2010 and 2010 PHI from the recently acquired Lusatia Park vineyards. “Pinot has to taste like it is grown, not made,” Steve remarked as we finish discussing the merits of the 2010 and 2014 Phi Pinots . “When it comes to winemaking, it’s sometimes really hard to do nothing, to sit back and let the wines find their way. But that’s when you start to see texture and finesse come into play and reflect this place.” The conversation then turned to the future as we tried three styles that reflect a desire to show the potential of blends and lighter styles reds. The Vinoque Pinot Meunier/Pinot Noir blend was light, concentrated and dangerously delicious. The Vinoque Gamay Noir was in the same vein, but with appealing layers of dried strawberries, rose petals and savoury blackberries and the Gamay/Syrah blend from the La Bohéme range showed that Gamay, particularly as a blending partner with something with more concentration and tannin, has a bright future in Australia. This wine was silky and textural with the fruit hallmarks of Shiraz, but with a soft and juicy red fruit casing. You Say Shiraz, I Say Syrah
Shiraz was next, or I should say Syrah, as this is what Leanne and Steve call most of their Shiraz, as it’s closer to the European, savoury and mid weighted style. The 1992 Estate bottle showed how beautifully these wines can age with delicious leathery development and a soft core of plummy, black cherry fruits. The 1999 was similar, whilst the still very youthful 2004 Reserve was mirroring the stylistic, bright fruited, savoury and textural changes that had occurred with Chardonnay and Pinot at that time. The 2008s, one with Viognier, one without, were both excellent; broody and lifted with silky mocha lines. Lastly came the 2014 and possibly the most exciting Australian Shiraz tasted all year. Juicy and complex with fine layers of mace, five spice, white pepper and mountain herbs, it had soft tannins and layers of acid that make the mouth hum. Looking ahead The De Bortolis have certainly put their stamp on the world of wine and equally, Leanne and Steve on the Yarra. Their genuine love for the place that they call home shines through in the wines they produce and share. As for the next chapter, Steve and Leanne are keen to provide a sustainable future for their kids and enjoy their home. “The Yarra is a beautiful part of the world,” said Leanne. “There’s a wonderful food and wine culture with cool people doing cool things with gin, beer, cider, wine and food. What’s not to love?" Enjoy a De Bortoli dream tasting of your own De Bortoli Section A5 single Vineyard Chardonnay 2015 Restrained, fine and seductive with elderflower, lime and peach blossom aromas and balanced layers of white peach, citrus and grapefruit flavours. De Bortoli PHI Single Vineyard Pinot Noir 2014 Captivating and ethereal with complex dark cherry, stalk and mineral aromatics. The palate is savoury, textural and fine with plums, spice and blackberries. De Bortoli Section A8 Syrah 2016 Concentrated and fine with perfumed, floral, black fruit and spice aromas. Generous, mid weighted and savoury, dominated by cherries and plums.
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What's in a label?
Words by Mark Hughes on 19 Aug 2017
I recently had the privilege of watching the legendary Liverpool FC towel up Sydney FC in a soccer friendly in a private suite at ANZ Stadium courtesy of Claymore Wines . The Clare Valley winery is owned by Adelaide doctor Anura Nitchingham, who became a lifelong Liverpool fan while attending university in the northern England city back in the 80s. Since founding his own winery, he’s been able take his fandom to the next level with the Claymore Wines Liverpool FC range , hence the invite to the match. During the half-time break, with the Reds comfortably leading 3-0, I observed a young couple at the bar looking through the range of Claymore Wines on offer. “Can I try the Purple Rain Sauvignon Blanc …I just love Prince,” the young lass asked of the barmaid. “I’ll have the London Calling,” said he, seemingly unaware of the varietal. It’s a Cabernet Malbec blend, by the way, and a good one, having recently won Platinum  at the Decanter World Wine Awards. Besides football, Anura’s other great love is music. So instead of having wines like a ‘single vineyard Shiraz’, Claymore’s labels bear the name of some of Anura’s favourite songs and albums, such as the Dark Side of the Moon Shiraz, Joshua Tree Riesling and Voodoo Child Chardonnay. “I just wanted to have some fun,” Anura tells me when I ask him the reasoning behind the labels. “After all, wine is meant to be fun, right?” Marketing Wine to Millennials
While it does seem fun, Claymore’s labels seem to fly in the face of traditional wine marketing, where the producer’s logo is consistent across all their wines and information such as varietal, origin and vintage is first and foremost. “It was a struggle early on because the inconsistent branding was deemed anti-marketing,” admits Claymore’s general manager, Carissa Major. “But once we explained the story, we had a more personal conversation with the customer. Now, people come to our cellar door, pick up a Bittersweet Symphony (Cab Sav) and say, ‘this is from my generation, I get it’. The labels were never meant to be a gimmick, they are the sound track to Anura’s life. But marketing-wise today, they present exciting opportunities rather than barriers.” Recent studies from California State University help explain the marketing swing. Researchers looked at the fastest growing buyer market in wine – millennials – people born after 1980, so termed because they hit maturity at the turn of the millennium. This generation is cashed up, brand savvy and, most importantly, they are on the verge of overtaking baby boomers as the biggest buyers of wine. The university study found that millennials prefer wine labels that are brightly coloured, less traditional, more graphically focused and feature creative brand names. If you’re a wine producer listening to a baby boomer marketer, maybe it’s time to think outside the box. The story of Fowles Wine’s Ladies Who Shoot Their Lunch is a great example. The label shows an art deco-style image of a lady in her finery out for a hunt. “My wife designs the labels and we actually took advice from a leading marketer about whether this was a good idea. Their response? No!,” explains Fowles Wines owner, Matt Fowles. “We ultimately disagreed and released the wines, but it was useful advice in the sense that it was liberating. We thought, if there is no place in the market for this, then we should just do the designs we really love, so we did. It was all a bit of fun and, surprise, surprise, they sell well.” Art for art’s sake
Riverland producer Delinquente Wine Co. has taken label art in an even more contemporary direction channelling a punk ethos on their wines such as The Bullet Dodger Montepulciano and the Screaming Betty Vermentino. “The starting point with the artwork for Delinquente was to do something very different to traditional wine labels, but also to represent things we have a passion for, like street art and alternative culture,’ says winemaker/owner Con-Greg Grigoriou. “The art represents our ideas and allows us to connect with people in an interesting way. We all know a ‘Screaming Betty’, or would at least like to party with her. So they have taken on a life of their own.” Not everyone is a fan. Seventy-nine-year-old wine critic James Halliday described Delinquente Wines as setting “the new low water-mark” for labels in Australia. But he likes their wines. And that’s the thing, the wine has to be good to get the buyer to keep coming back. These days, wine is fashion and bottle shop aisles are the catwalks. Marketing a label is just as important as the wine inside the bottle. Get both right and you could just make it. Traditionalists will most likely continue to stock their cellars with family crested bottles. The millennials crave new and exciting. As for me, I’ll see you on the dark side of the moon.
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Meet Chester Osborn from d’Arenberg
The Wine Selectors Wine of the Month for October is the d’Arenberg The Broken Fishplate Sauvignon Blanc 2014. So we caught up with its maker, the man of many shirts, Chester Osborn. You’re a finalist in the Entrepreneur of the Year National Awards – how does that feel? I feel quite honoured, however, at the end of the day I’m just doing what I love. It’s not work. If it’s worth doing it’s worth doing well. Can you recall the first wine you tried? It was probably a flagon wine when I was about four years old. I also remember that at around seven I tasted the so-called good reds and I didn’t like them. The fortified white Muscat was nice though. When did you fall in love with wine? At the age of seven I decided I wanted to be a winemaker, so I guess I was in love with wine even if I didn’t like much of it. It’s a hard call but do you have a favourite wine or varietal? I suppose it would be Nebbiolo from Piedmont. However, Grenache from McLaren Vale or Priorat are right up there. How do you come up with your wine names? It used to be never before 2am. Now it’s sitting on the toilet first thing in the morning reading the dictionary. How has your dad d’Arry influenced you? From time to time dad talks about how he used to do things, which puts his wines in perspective. Most of todays’ wines and the winemaking are the same as then but with more control. Dad was also frugal with money, which has been good in making me justify every expense. It has been a great working relationship. Often he worries, but what was planned more or less always occurs. White, red or both? At d’Arenberg we produce 72 wines from 37 grape varieties – all colours are accounted for. What do you do when you’re not making wine? Lately the d’Arenberg Cube has been taking up an enormous amount of time, especially the art installations but also all of the intricate architecture and engineering. Lots of wine tasting and drinking also fill my days and nights, and I have a heap of other projects on the go.
How many shirts do you really have? We ran a competition recently asking exactly this question, it turned out to be 372. What is your favourite…. Pizza topping:  Salami with a bit of spice and other meats Shirt:  Robert Graham limited edition Book:  Science Illustrated or Cosmos Movie/TV show:  Science fiction Restaurant:  El Celler de Can Roca, Spain Dinner:  Fish amok Time of day/night:  all day, no preferences Sporting team:  Norwood football club. My great grandfather JR Osborn started d’Arenberg and the Norwood football club. Christmas present:  Art or sculpture Childhood memory:  Making things like planes and cars Holiday destination:  Spanish cities or French country villages Angle to view the d’Arenberg Cube:  Seaview Road
Two Blues Sauvignon Blanc 2014
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