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Wine

Meet Carissa Major and Marnie Roberts of Claymore Wines

Get to know the ladies behind Claymore Wines -General Manager Carissa Major and Winemaker, Marnie Roberts

Carrisa, you say you “had the good fortune to fall into” the wine industry days after your 18th birthday – what’s the story behind that good fortune? 

As in real estate – location location location! I grew up at the southern end of the Clare Valley, had travelled throughout my 17th year (thanks to the possibly misguided generosity of my parents) then landed back into the Clare Valley…a little bit jobless and without a sense of purpose. The idea of university for uni’s sake was less than appealing so my one year gap turned into two and through friends of the family I wound up with a position at Knappstein Wines Cellar Door. Tim was still on site then and I found the whole staff tastings both inspirational and intimidating but got enough out of them to want to learn more. Andrew Hardy had a similar approach to staff engagement so what started off as a spark became something a little more…so basically, I had the right door open at the right time. Got sucked in and found this amazing industry that brings people together while opening up the world.

Given the quirky nature of the brand, do you have to bring out your inner quirks too?

Well it’s not hard really…they are never too far from the surface! The best thing about the brand is that link to music informs so much of the fun every day and provides a motivating backdrop to the workplace. There is nothing better than an impromptu Friday afternoon singalong with customers as Meatloaf cranks out of the sound system (and yes that really did and does happen!)

 Are you a Voodoo Child, or do you like a splash of Purple Rain, or do you hear London calling? (i.e. what’s your favourite Claymore wine and does your love of the wine match your fondness for its namesake?)

Oh there are too many to choose from; from a wine perspective though I do have a soft spot for London Calling. It took a few years to win the boss over to Malbec – he’s more of a Merlot kind of guy – but it just shines in Clare and paired with cabernet it makes for such approachable drinking without compromising depth and intensity. One day I may be able to release that straight Malbec…not sure what label I’d choose though.

Can you recall the first wine you tried?

Easy one – we grew up farming on the outskirts of Auburn in the shadow of Taylors wines so it was their white wines that graced our family table for special occasions. From the age of about 12 I was allowed a half pour if their amazingly bone dry, fully worked Chardonnay which I would duly sip over the course of a meal. It was dry, acid and complex for my junior palate and I recall grimacing after the first taste but would never dare leave a drop…it was wayyyy too special!

What do you think is special about your wine region?

There is an easy intimacy to the Clare Valley that you don’t see in many other regions; intimate without being aloof or removed. From a wine perspective there is an underlying elegance to the wines we produce here – even those 15.8% brooding monsters carry an underpinning structure that balances that intensity. Any region that can pull off our delicately structured Rieslings that defy expectation with just how powerful they can be and at the same time produce complex, finely drawn cabernet and nuanced yet flavour busting shiraz has to be special. It’s a multi-faceted little dynamo that continues to surprise and delight..and the locals aren’t a bad lot either!

Do you have a favourite holiday destination/memory?

We spent many early years holidaying at Elliston on the West Coast in the family shack – total beachfront, tumble down tiny fibro thing that we’d have to drive seemingly endless distances to get to while listening to the Australia Open on the radio (?). Fishing off the beach and jetty, grandma’s garfish and squid for breakfast pan fried in truckloads of butter and playing tennis on asphalt courts then jumping into the ocean to cool off. Oh – nostalgia overload!

Now I like to recreate that sense of simple pleasure and we still holiday in shacks (just closer to home on the Yorke Peninsula) and chase fish and squid from the jetty and beach while fossicking in rockpools, building sandcastles and eating hot chips. Except now I chase it all down with a Riesling or two – best ever with fresh shucked oysters!

And Marnie, as Claymore Wines winemaker do you have to make the wines to match the songs? Or does lyrical inspiration come after the tasting?

The link of wines and songs seems to naturally evolve. The base constant is always to create the best wine to start with and I suppose, yes, doesn’t everyone get inspired in some way when they are drinking wine?! Certain labels do make complete sense to me. Nirvana is a Reserve Shiraz and drinking it you hope to reach a state of Nirvana. Dark Side of the Moon is our Clare Shiraz and it has the elegance and dark seductive fruit layered over oak.

Do you get to name any of the wines?

We all have input and suggestions which can be quite amusing. I got Skinny Love across the line which came to me in the car while singing it at the top of my lungs….the Claymore version of 'Car Pool Karaoke'.

Was it your dream of being a rock star that drew you to Claymore?

The Rockstar dream is still my back up occupation if the winemaking thing falls through. So far, the music world is safe. I do love the idea of the music and wine. I think to make good wine you have to have an element of love for the arts and the creation of things. Wine and Music just make sense  - both are so evocative and amazing for setting a sense of  place and time. All those great moments, you know the BIG celebrations in life can usually be tracked back in the memory banks tied to a particular wine or song!

What is your favourite wine to make?

I don’t think I could pick a variety or a style as such. I love the process and the chance to follow it the whole way through. From the vineyard basics of pruning and harvesting to ferment to batching to oak to tank to bottle to mouth….it’s an amazing journey that I get to guide these babies through.

When did you fall in love with wine?

Growing up on a block in Mildura that went from citrus to dried fruit to winegrapes, I have always had an appreciation for the fruit. The love of wine was the next step. I remember the cask wine in my parents’ fridge in the 80s and then the big purchases of wine in a bottle. I remember one night, when I was around 19 or 20, going to a friend’s house who was studying to be a winemaker and he opened a 1994 Lindemans Pyrus. A wine from Coonawarra that is a Cabernet Sauvignon/Merlot and Malbec blend. IT WAS MASSIVE and I thought wow, I need to try more wines. It really blew my socks off as I hadn’t tried anything as big and succulent as that before.

Can you cook? If so, what is your ‘signature dish’?

I love to cook. With a toddler and husband that works away, time is limited but when I can, I love to invite friends around and cook. Homemade pasta with a trio of different sauce options is always a winner. The other is a stuffed squid. A recipe I have had for about 20 years and it never seems to fail.

What do you do to relax away from the winery?

I love to chill at home but my favourite getaways are anywhere near the water. I love the beach in winter and the river in summer. Anytime with my family is a bonus and I have great friends who are around for a catch up…which usually includes wine and food!

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Wine
Debortoli Dream Vertical – Taste of Yarra
Words by Paul Diamond on 4 Dec 2017
Leanne De Bortoli and Steve Webber put on a tasting that reflects 30 years of Yarra Valley history. It’s almost 30 years since newly wedded Leanne De Bortoli and Steve Webber headed to the Yarra Valley to take up the family dream of building a cool climate addition to De Bortoli’s wine portfolio . Much has happened in those decades and the De Bortoli offering is, like the family itself, getting better with age. To reflect this, Selector headed to the Yarra, where Steve and Leanne dug out some old bottles and dusted off the stories that came with them. Where it all began
Vittorio De Bortoli from Castelcucco in Italy’s alpine north, immigrated to Australia in 1924, leaving his young fiancé Giuseppina behind. He landed in Melbourne, but soon found himself in the newly irrigated Riverina , sleeping under a water tower and eating from his vegetable patch. After four years, he had saved enough to buy a farm and send for Giuseppina. In the first year of Vittorio and Giuseppina’s Bilbul farm, there was a glut of grapes, so Vittorio constructed a concrete tank and crushed 15 tonnes, officially kicking off De Bortoli Wines. Deen makes his mark With Giuseppina and Vittorio together, the farm thrived and they soon had three children: Florrie, Eola and Deen. Of the three, Deen was fascinated with the machines that operated the winery and as he got older became a permanent fixture. He was a passionate about progress and as the responsibility passed from Vittorio to Deen, he began expanding, experimenting and looking toward the future. Deen married Emeri Cunial, a Griffith girl with Castelcucco heritage and soon the third generation – Darren, Leanne, Kevin and Victor – arrived. The third generation
Deen’s passion for wine was passed down to all his children. Oldest son Darren, now managing director, studied winemaking at Roseworthy College and decided to experiment with botrytis affected Semillon grapes . That wine eventually became the highly awarded 1982 Noble One that propelled De Bortoli to become one of Australia’s great wine brands. Third born Kevin pursued viticulture and now manages the 300 ha of the family estate that produces some 60,000 tonnes of grapes per vintage, while Victor, the youngest, is export manager. Leanne followed her brother Darren to Roseworthy and completed a diploma in wine marketing and was advised by her big brother, “whatever you do, don’t marry a winemaker!” But she did exactly that and married Steve Webber, who was making wine for Leo Buring and Lindeman’s. In 1987, the family purchased the Dixon’s Creek property in the northern edge of the Yarra Valley , which Leanne and Steve moved to in 1989, beginning the Yarra chapter of the De Bortoli story. To help tell it, Steve and Leanne presented us with a range of wines that best reflect their Yarra journey.  The Tasting
​ Sauvignon Blanc is a polarising variety, so it makes sense that Steve and Leanne did not add the ‘blanc’ to their labels. Plus, their versions are textural and savoury, inspired by the Sancerres of the Loire rather than those from across the ditch. “They need to be delicious, and great with food,” said Steve. “When we went to France, we loved the delicate, savoury wines of Sancerre and we decided that was what we wanted to make here.” The 08 Estate Sauvignon was surprisingly fresh, fine boned and creamy, whilst the 2010 single Vineyard PHI, and the mouth-wateringly juicy 2017 Vinoque reinforced that Steve and Leanne make wines they are proud to share at their table. The evolution of Chardonnay Next came the 1990 Estate Chardonnay and as the first wine they made at Dixon’s Creek, it was a treat to taste and contemplate how far Steve’s winemaking and Australian Chardonnay have come . “When I think about some of the wine we made in the early days, we thought we were doing some pretty amazing things,” Steve recalled. “But really we were just babes in the woods.” “Now we have a greater understanding of climate, viticulture and how to approach winemaking, with less interference, letting the wines make themselves.” The 2000 was in great shape with secondary stonefruit, fig and nut aromas and a poised, fleshy, peach-lined palate, but the next three wines really illustrated Steve’s points. As we moved from the 2005 Estate to the 2015 Reserve and the 2015 A5 Section it was like the volume was turned up on complexity, minerality and concentration, while the background noise of weight, oakey textures and mouth-feel was quietly turned off. The A5 Section Chardonnay topped the bracket as it had the greatest complexity, but was delivered without weight, showing citrus blossom characters, with mouth-watering flinty minerals. Reflecting on Pinot
Pinot was next and the same evolution was occurring. Less new oak and a focus on producing perfume not structure became evident as we moved from the 2000 and 2005 Estate and 2005 PHI, through to the glorious 2010 and 2010 PHI from the recently acquired Lusatia Park vineyards. “Pinot has to taste like it is grown, not made,” Steve remarked as we finish discussing the merits of the 2010 and 2014 Phi Pinots . “When it comes to winemaking, it’s sometimes really hard to do nothing, to sit back and let the wines find their way. But that’s when you start to see texture and finesse come into play and reflect this place.” The conversation then turned to the future as we tried three styles that reflect a desire to show the potential of blends and lighter styles reds. The Vinoque Pinot Meunier/Pinot Noir blend was light, concentrated and dangerously delicious. The Vinoque Gamay Noir was in the same vein, but with appealing layers of dried strawberries, rose petals and savoury blackberries and the Gamay/Syrah blend from the La Bohéme range showed that Gamay, particularly as a blending partner with something with more concentration and tannin, has a bright future in Australia. This wine was silky and textural with the fruit hallmarks of Shiraz, but with a soft and juicy red fruit casing. You Say Shiraz, I Say Syrah
Shiraz was next, or I should say Syrah, as this is what Leanne and Steve call most of their Shiraz, as it’s closer to the European, savoury and mid weighted style. The 1992 Estate bottle showed how beautifully these wines can age with delicious leathery development and a soft core of plummy, black cherry fruits. The 1999 was similar, whilst the still very youthful 2004 Reserve was mirroring the stylistic, bright fruited, savoury and textural changes that had occurred with Chardonnay and Pinot at that time. The 2008s, one with Viognier, one without, were both excellent; broody and lifted with silky mocha lines. Lastly came the 2014 and possibly the most exciting Australian Shiraz tasted all year. Juicy and complex with fine layers of mace, five spice, white pepper and mountain herbs, it had soft tannins and layers of acid that make the mouth hum. Looking ahead The De Bortolis have certainly put their stamp on the world of wine and equally, Leanne and Steve on the Yarra. Their genuine love for the place that they call home shines through in the wines they produce and share. As for the next chapter, Steve and Leanne are keen to provide a sustainable future for their kids and enjoy their home. “The Yarra is a beautiful part of the world,” said Leanne. “There’s a wonderful food and wine culture with cool people doing cool things with gin, beer, cider, wine and food. What’s not to love?" Enjoy a De Bortoli dream tasting of your own De Bortoli Section A5 single Vineyard Chardonnay 2015 Restrained, fine and seductive with elderflower, lime and peach blossom aromas and balanced layers of white peach, citrus and grapefruit flavours. De Bortoli PHI Single Vineyard Pinot Noir 2014 Captivating and ethereal with complex dark cherry, stalk and mineral aromatics. The palate is savoury, textural and fine with plums, spice and blackberries. De Bortoli Section A8 Syrah 2016 Concentrated and fine with perfumed, floral, black fruit and spice aromas. Generous, mid weighted and savoury, dominated by cherries and plums.
Wine
Discover our Top 12 Whites of 2017
In 2017, our Panel tasted and rated over 4,000 wines. The Best Wines of the Year is always a hotly contested list and this year was no exception. From tried and true favourites like Howard Park Margaret River Chardonnay, to fabulous alternative varietals such as Fiano from Chalk Hill’s McLaren Vale vineyard, plus Trophy-winning Tahbilk Roussanne Marsanne Viognier, here (in no particular order) are the Top 12 Whites that really stood out from the crowd and wowed all of our Panellists. View our Top 12 red wines here.
In Dreams Chardonnay 2015, Yarra Valley In the glass: Pale lemon green.  On the nose: Apple, grapefruit, oatmeal and almond aromas.  On the palate: Fine and elegant and yet it has power and drive with a delicious core of white and yellow fruits. A savoury, almost salty layer adds complexity, velvety texture and racy acidity.  RRP $23 or $19.55 per bottle in any dozen.  Chalk Hill Fiano 2016, McLaren Vale In the glass: Bright straw.  On the nose: Opulent white fruit with honeydew, Tahitian lime and guava.  On the palate: Remarkably bright and focussed core of juicy white fruits with satiny, delicate texture and length from start to finish and crunchy, almost salty acidity running to a thrilling finish.  RRP $25 or $21.25 per bottle in any dozen. Tahbilk Roussanne Marsanne Viognier 2015, Nagambie Lakes In the glass: Pale lemon green. On the nose: Stonefruit, florals, ginger.  On the palate: A light to medium weight and fine wine with loads of stonefruit and citrus zest underpinned by zesty acidity, mouth-coating texture and good length.  RRP $27.95 or $23.76 per bottle in any dozen.  Long Rail Gully Riesling 2016, Canberra District   In the glass: Bright pale yellow straw.  On the nose: Lime zest and fresh herb. On the palate: Delicate yet intense and flavoursome with strong citrussy varietals and notes of talc and mineral. Mouth-feel is supple and lightly creamy with vibrant acidity. A really classic Riesling with delicious purity. RRP $22 or $18.70 per bottle in any dozen.  Cape Barren Sauvignon Blanc 2016, Adelaide Hills   In the glass: Vibrant pale lemon.   On the nose: Lime juice, nettle, grapefruit, vanilla.  On the palate: Stylish and intense lime, passionfruit and cut grass varietals, tempered by a light nutty layer with minerally acid dryness on the finish.  RRP $19 or $16.15 per bottle in any dozen.  De Iuliis Special Release Grenache Rosé 2017, Hilltops In the glass: Very fine pink with green and copper flashes.  On the nose: Hints of pink flower and Turkish Delight.  On the palate: Elegant and savoury with juicy fruit and green olive-like astringency creating a dry finish.  RRP $28 or $23.80 per bottle in any dozen.
Howard Park Chardonnay 2016, Margaret River/Great Southern In the glass: Beautifully vibrant lemon with a green hue.  On the nose: Delicate lime juice, light stonefruit, grapefruit and cedary oak.  On the palate: Refined yet intense with juicy layers of stonefruit and citrus with creamy yet poised acidity. RRP $54 or $45.90 per bottle in any dozen. Tinklers Mount Bright Semillon 2017, Hunter Valley In the glass: Pale lemon green.  On the nose: Bright citrus, white melon, mineral and lanolin perfume.  On the palate: Driven by beautiful tingling acidity, it’s deliciously layered with an amazingly vibrant fruit core and quinine-like texture. RRP $22 or $18.70 per bottle in any dozen. Heggies Vineyard Estate Chardonnay 2015, Eden Valley In the glass: Pale lemon, green hue.  On the nose: Fresh yellow fruit lift with spice and grilled nut complexity.  On the palate: Slightly spicy and strongly varietal with nectarine, green melon and marzipan, subtle background vanillin oak, fresh leesy depth and ginger spice.   RRP $30 or $25.50 per bottle in any dozen Gatt High Eden Riesling 2011, Eden Valley In the glass: Pale lemon straw. On the nose: Still vibrant lemon and lime lift with very faint hints of kero development. On the palate: Still so youthful, pristine and precise with a multi-layered, savoury and vibrant core of fruit and just the start of secondary development.  RRP $40 or $25.50 per bottle in any dozen. Umamu Sparkling Chardonnay 2005, Margaret River In the glass: Youthful lemon straw.  On the nose: Buttered toast, preserved lemon and background smokey notes.    On the palate: Full-bodied, layered and rich yet still vibrant with a strong undercurrent of leesy depth under a butterscotch-like core of fruit.   RRP $63 or $53.55 per bottle in any dozen. Bunnamagoo Estate Kids Earth Fund Autumn Semillon 2013 (375ml), Mudgee In the glass: Medium to full gold. On the nose: Lifted toffee, butterscotch and crème brulee.  On the palate: Luscious and viscous, with sweet layers of candied fruit complemented by bright lemony acidity.  RRP $25 or $21.25 per bottle in any dozen. 
Wine
Castagna Wines - Cult Wines & Legends
Words by Paul Diamond on 16 Aug 2017
If you are an Australian wine lover and haven’t heard of Castagna, don’t be surprised. Julian Castagna and his family, located just outside the Victorian Alps town of Beechworth , produce a small range of high quality, biodynamic wines that fly well below the radar. They aren’t in any of the chains and to find them you will have to visit one of the handful of independent wine shops scattered around the country or be sitting in a restaurant looking at one of the few special wine lists that carry them. There is no cellar door that you can ‘just visit’, you have to make an appointment. And, if you are not on his mailing list or buy directly from his site that often has ‘sold out’ next to his products, you will struggle to find them. It’s no accident that these wines are not easy to find. A filmmaker earlier on in his life, Julian understands the value of having to dig to search something out, get to understand and eventually cherish it.

The Genesis range, like all the Castagna wines we tasted, presented somewhat of a conundrum. Old wine that tastes young?! Australian Shiraz that tastes like France?! 

Julian’s Path
Like most Australians full of youth and wanderlust, Julian ventured to Europe, searching for his path. After a stint in Spain, he found himself in London, working in film and advertising, and hanging out with people who were into the wine scene. “I got absorbed,” explained Julian at a recent tasting of his wines at his kitchen table. “They didn’t know very much but pretended to know a lot. “So I started reading, going to tastings and the guy that I worked for who had a lot of money, said “buy me wine” so I did. “So when I went anywhere to taste, I was treated very well, and got to taste a lot of wine because I spent a lot of money…that’s where it all started.” Julian eventually made his way back to Australia to make a film that didn’t get off the ground, so he continued with advertising in Sydney and began buying, travelling and exploring the wines of Australia. After a while he became disenchanted with the advertising world and began asking himself questions about his and his family’s future. “I was sitting in boardrooms and they were paying me so much money that it was a sin,” Julian explained. “But they weren’t listening…research and numbers were becoming more important than experience and creativity and I knew that was the precursor to ‘not’ working. “So I asked myself, ‘What do I know? I know two things. I know wine and film, so if I’m not going to do film maybe I’ll do wine? As he explored, he discovered a lot that he didn’t like, but a chance meeting with a glass of Giaconda Cabernet piqued his interest and led to him forming a relationship with Giaconda’s Rick Kinzbrunner and Beechworth. “I kept coming back to two places; Margaret River and Beechworth, he explained. “I really didn’t want to come back to Victoria having grown up here, but I was wrong.” Putting down roots
In 1996 Julian and his wife purchased land just outside Beechworth, planted vines and built a house. “The intention was to make something really great, but I didn’t know what type of wine I wanted to make,” remarked Julian. “For me the wine that I wanted to make came from the land. “I came here, looked at the land and it seemed to me the wine that would work here would be Sangiovese and Shiraz .” Driven to make wines that were taken seriously, one of the many decisions Julian took to was biodynamics. “I believed and still do, that wine with character comes from the vineyard, not the winery,” he explained. “ Biodynamics as a complete way of farming made so much sense.” Julian is not evangelical about the methodology or its underlying principles. He simply sees it as common sense. It’s a refreshing attitude, given the fervent advocacy behind the current perception of biodynamics and its connection to the natural wine trend. The Castagna website says it best. “The land is farmed biodynamicaly using Rudolf Steiner’s biodynamic principles. We believe this is the best way to achieve optimum fruit quality that best expresses its terroir. Our intention is to make, as simply as possible, wine which is an expression of the place where it is grown.” The Wines
On a cold, wet and foggy Beechworth morning, Wine Selectors Head of Product, Matt White, and I were treated to a spread of wines that showed just how special Castagna is in our wine industry. The 2002 Allegro Shiraz Rosé was first and it was, quite simply, a revelation! Most Rosés fall over after about five years, but this wine, with 15 years under its belt, was aging incredibly. It had some developed aromatics and a little colour development, but it was still showing primary fruit with a fresh vibrant mouthfeel. The wine had the kind of flavours and complexity that you get in vintage Rosé Champagnes and a palate length that went on and on. When asked how this was actually possible, Julian grinned, shrugged his shoulders and remarked, “It’s the vineyard,” and left it at that. Next was the 2010 Ingénue, a 100% Viognier that had some delicate and pretty blossom florals, preserved lemon and beeswax aromatics that you see in only a select few Australian Viogniers. On the palate, the wine was all structure and complexity, with tight but flowing lines of grapefruits, rock melons, ginger and almonds. Again, the youth of this wine defied its age. Two vintages of Julian’s Un Segreto Sangiovese Shiraz came next and the seven year span seemed hardly noticeable. The Sangiovese is weighted in the majority with 60% and the savoury, mid-weighted mouthfeel was a signature for both wines. The aromatics were sweet and perfumed with dusty red fruits, cassis, sour cherries and white pepper spice. In the mouth, both were fine yet complex with mocha, cocoa tinted red fruits, both stunning wines that again showed youth, despite their age, with class to match. Next were two examples of Julian’s La Chiave Sangiovese . Generally, Sangio is not taken too seriously in Australia and is known mostly as a fleshy, ‘drink now’ food wine. But, like the age potential of Castagna wines previously sampled, these wines defied normality. They had the juicy, tar and cherries hallmark of Sangiovese, but there was a density to the mouthfeel that was juxtaposed with restrained, earthy flavours. These were delicious wines that could have you thinking you were sipping Brunello. Biblical proportions
Three examples of Genesis followed and if there was going to be red wine that showed you what was possible with Shiraz from Beechworth, these wines would have to be at the top of the list. Julian’s intention is clear with Genesis in that he wanted to emulate the best Shiraz in the world and for him, these are the great wines of France’s Rhône valley. Like the medium weighted, fine and perfumed wines of Côte Rôtie, Genesis has a small amount of Viognier co-fermented with the Shiraz, but the wines show characters from other great Rhône regions. The 2005 had the gnarly grunt and structure and spice reminiscent of Cornas, the 2004 had the earthy complexity and slippery mouthfeel of Hermitage, and the 2010 had the dried herbal aromatics and tight, complex black fruited layers and youth that had not decided whether it was Côte Rôtie, Cornas or Hermitage. We rounded out the tasting with Castagna 2009 Sparkling Genesis. This is the same wine as the still Genesis, but it has spent two years on its lees and has been treated with a nicely balanced dosage that keeps the acid in check and the tannins slippery. Quite possibly the best in the country, this wine has complexity and depth in spades and the savoury, medium-bodied fruit makes for a compelling and delicious mouthful of bubbly Shiraz. The Genesis range, like all of the Castagna wines we tasted, presents somewhat of a conundrum. Old wine that tastes young?! Australian Shiraz that tastes like France?! Beautifully crafted, insightful wines using weird farming practices from someone with no training? And from a place that is not considered a major region? It’s a beautiful, inspiring story made sweeter by the wine that underpins it.
Two Blues Sauvignon Blanc 2014
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